Word: beards
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Dates: during 1960-1969
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...which she depicts well; but her performance imparts no sense of a character lying beneath temporary insanity. Still, hers is the most accurately gauged portrayal in a set of competent ones. Martin Andrucki, her murderous husband, wears thin through lack of modulation, and a vocabulary of stock gesture. His beard will live on longer than his performance. Andre Bishop, as Rough, wears thin through camp and self-indulgence, but at least has a sure sense of where he's at. The maids, Joan Tolentino and Emily Sisson, work through their roles with a haughty assurance characteristic of certain British black...
...ville routine about the 2,000-Year-Old Man. This character was a geriatric loser with a Yiddish accent who invented the wheel but made it square; someone else cropped off the corners and copped the fortune. Later he met Shakespeare ("What a pussycat he was; what a cute beard"). Typically, The Man invested in Coriolanus instead of Lear...
...newsmen I met--cigars, paunches--a surly bunch. They sneered, guffawed, and went back to crank out their stories with information they didn't take seriously anyway. One of the accredited freelancers I met was from the Dartmouth student paper. Complete with work shift, a bit of a beard and steel-rimmed glasses, he seemed decidedly unmilitary and way out of his element. But he had considerable success in selling enough material to support himself in Saigon. He first broke even with the sale of a story and pictures to Parade Magazine about the mortaring incident at the Thieu...
...Bishop remembers him looking "small and rather delicate but bright and dazzling, too" on the crest of a Cape Cod sand dune, writing in a notebook. Robert Fitzgerald finds his face "old-fashioned and rural and honorable and a little toothy." His wife says that he grew the immense beard to look like Chekhov, but to another observer it hides "the naked vulnerability of his countenance...
...with quaint and artful foxiness by Anthony Quayle) comes home from liquidating the white man's bumbling in Malaysia, only to find that his son and daughter have become neoprimitive natives of swinging England. His daughter (Margaret Linn) is complacently pregnant-by whom, she cannot be sure. His bearded guitar-laden son (Sam Waterston) looks "like a leftover from the Last Supper," and his so-called mistress is a breastless, hipless, bass-voiced androgyne. Ultimately, the general goes his filial foes one better at anarchic nonconformity by growing a beard himself, living in a tree and mastering the guitar...