Word: beare
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Dates: during 1970-1979
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SPEAKER OF THE HOUSE CARL ALBERT, 64, more than any other single Congressman will bear blame or credit for the 93rd Congress's record. Great things were expected of the Oklahoma Democrat when he was first elected Speaker two years ago. He proved to be something of a disappointment. Serious, short a graduate of both the elementary school of Bug Tussle Okla and Oxford, he is one of the brainiest men in Congress but seemed to shrink from the head knocking a strong House leader must perform. Now he promises new toughness; he intends to demand total loyalty from...
...History and Political Science, presented a resolution to the Faculty at the December 12 meeting urging it to reaffirm the University's commitment to Afro-American Studies. Nwafor said yesterday that the resolution should be modified to say that the Department be "equipped to bring fresh viewpoints to bear in the study of its subject...
...takes tetuge items civilization in the Utah wilderness Sydney Pollack, hailed for They Should Houses Don't They". directed: he cast his old friend. Robert Redford, in the title tole Redford comes to the mountains a young creenborn, enters the tutelage of an old grizzly hunter named Bear Claw, and gets roped into wilderness domesticity when an Indian code of honor forces a wife upon him. Civilization does catch up: a cavalry detachment enlists him to help rescue a party of settlers trapped high in the mountain. The only pass, of course, leads through a sacred Crow burial ground; Redford...
...little bit like finding a guy who doesn't say a word at party, who's just too painfully shy, then once when you get him on stage where he's got a character to hide behind all sorts of things start to happen..." The Way We Were may bear this out; in any case, it will be a significant film only it Pollack returns to the film-making which characterized They Shoot Horses, a kind of filmmaking whose depth and control is simply not required to make something like Jeremiah Johnson...
Here Bergman seems to be working again within that still, grave place from which sprang such transitional works as Brink of Life or Hour of the Wolf. This is not, like Persona, one of his greatest, most enlarging films, although it does bear some superficial stylistic resemblances to that early work. Cries and Whispers is somewhat more formal, measured, perceptibly detached, a film of physical and emotional violence carried into forbidden areas of the spirit...