Word: beare
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Dates: during 1980-1989
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...Thatcher accepted "with regret" the eye-catching resignation of Trade and Industry Secretary Cecil Parkinson, architect of the election landslide and one of her closest political advisers. Parkinson, 52, fell from grace two weeks ago when he announced that Sara Keays, his private secretary and longtime lover, would soon bear his child. He added that he would not divorce his wife of 26 years to marry Keays, although he admitted that he had promised to do so. The disclosure prompted a number of Tories to call for Parkinson's head, but Thatcher characteristically decided to see the crisis through...
...says. That is a very safe statement." Adds the film's director, Nicholas Meyer: "The Day After does not advocate disarmament, build-down, buildup, freeze. I didn't want to alienate any viewers. The movie is like a giant public service announcement, like Smokey the Bear...
Nothing, however, can give it the substance. Under all the furor, spontaneous or manufactured, and the high urgency, real or prefabricated just for the premiere, is the film, a frail vessel indeed to bear the fate of mankind. History and distance have not made Stanley Kubrick's 1964 film Dr. Strangelove any less great or-sadly-less relevant, but even a movie as fine as that would have to struggle to stay above the sort of ideological tide surging around The Day After. No one has yet made the case that Dr. Strangelove has been bested, although there...
Some authors inescapably suggest animals: Hemingway is a lion, Tolstoy a bear, Colette a cat. Anthologist Stephen Brook is a crow. For The Oxford Book of Dreams he has ranged over four millenniums and most of the dry surfaces of the globe in search of recorded visions. The result is a nest of glittering curiosities, some of rare value, others plucked from the dustbin of history, where they belonged. Moreover, although the collection offers hundreds of entries, it also has inexcusable gaps. The dreams of Pharaoh's servants are here, interpreted by Joseph, but they represent one-half...
Nature did not cast him to play princes. The watery eyes gave him a look both stoic and startled: in Kenneth Tynan's phrase, "like a Teddy bear snapped in a bad light by a child holding its first camera." The body was pear-shaped and the vocal tones were not; they pontificated, or quavered with sentiment. The hands rose and fluttered independently, articulating a sweetly deranged sign language. Ralph Richardson was no matinee idol?no ethereal saint like John Gielgud, whose beautiful voice could coax meaning out of a computer printout; no demon lover like Laurence Olivier, with hellfire...