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...John Gunther's book; music & lyrics by Arthur Schwartz and Howard Dietz; sketches by Arnold Auerbach, Moss Hart and Arnold B. Horwitt; produced by Mr. Schwartz) opened to splash notices and may well run for two years. All the same, some first-nighters found it the least enjoyable Bea Lillie show in a long time. Not that it is really bad or botched: it is all thoroughly professional. It is also thoroughly unoriginal and unexhilarating; it not only fails to shed light of its own, but even dims the cherished Lillie luster...

Author: /time Magazine | Title: The Theater: New Revue in Manhattan, May 10, 1948 | 5/10/1948 | See Source »

...useful, in the end it's up to Miss Lillie; and wondrous though she can be, she's not quite up to the job. Given a genuinely funny sketch-such as Moss Hart's about a superstitious maid who unnerves an actress on opening night and Bea is colossal. Given a reasonable chance to shine-as in two or three other numbers-and she shines. But forced, as she often is, to batter her way through a sketch, even Bea gets bruised...

Author: /time Magazine | Title: The Theater: New Revue in Manhattan, May 10, 1948 | 5/10/1948 | See Source »

Among the other creative works that attracted considerable visitor comment: two oils (Blue Daisies and Flowers) by Bea Lillie; a Hoagy Carmichael landscape (Miami Skyline...

Author: /time Magazine | Title: Cinema: Cast of Characters | 3/1/1948 | See Source »

...Hollywood, Visitor Bea Lillie made an illuminating reply to Joan Crawford, who invited her around to meet Visitor Noel Coward. "Thanks," refused Actress Lillie...

Author: /time Magazine | Title: People: Hearth & Home | 2/16/1948 | See Source »

...Manhattan, ski-nosed Comedienne Bea Lillie ended her day at RCA Victor's big, bare Studio 2 just two minutes before midnight. She did her own offbeat version of Atlanta, a number from Inside U.S.A., a musical show that won't hit Broadway until March...

Author: /time Magazine | Title: LABOR: What, Never? No, Never! | 1/12/1948 | See Source »

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