Search Details

Word: beastes (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Core Curriculum is the single worst aspect of the Harvard education. The Faculty--judging by the reforms it voted on last spring--does not understand why the Core is inadequate for Harvard undergraduates, and the Core remains a mess, a bureaucratic beast that is dying too slowly. The Core is a multi-faceted and therefore extremely complicated problem: the Faculty Council tried and failed to solve it, and I do not have a neat solution, either. But the Faculty, particularly those members who helped create the Core in the 1970s, must realize the detrimental effects the Core has on Harvard...

Author: By Daniel M. Suleiman, | Title: The Chore | 2/2/1998 | See Source »

...boom is being fueled largely by two relatively new corporate players: the Walt Disney Co., which has two shows pulling in the family audience (Beauty and the Beast and The Lion King); and Livent Inc., the Canadian company run by impresario Garth Drabinsky that has produced Ragtime along with such crowd pleasers as Barrymore and the hit revival of Show Boat. Both companies have brought fresh ideas--economic and artistic--to Broadway as well as deep pockets: The Lion King cost a reported $20 million to mount, a Broadway record; Ragtime came in for about half that, but Drabinsky...

Author: /time Magazine | Title: Theater: Hooray, Big Spenders | 1/26/1998 | See Source »

...fact the two-legged city wolves are on the prowl. What diplomats and journalists routinely call economic reform in Russia is now more reminiscent of wolves tearing at the carcass of a giant beast. The new banking magnates--oligarchs as they are often known--are fighting over the remains of the Soviet Union. There are very rich pickings: oil fields, natural gas, precious minerals and strategic metals. The people who end up with the largest hunks of the carcass will be powerful figures indeed, both here and abroad...

Author: /time Magazine | Title: WOLVES ON THE PROWL | 12/15/1997 | See Source »

Once the ship starts sinking, people do die becomingly, and the R.M.S. Titanic takes on the personality of a magnificent beast--King Kong or Moby Dick in extremis. The brilliantly realized visual effects are invisible and persuasive. The digitized water looks like real water; the computer blobs look like human beings tumbling down to their deaths from the severed ship's nearly vertical stern. But the narrative events that should add emotional heft are substandard action tropes: kids in jeopardy, bad guys menacing pretty women, Jack manacled to a water pipe. "I'll just wait here," he says gamely...

Author: /time Magazine | Title: CINEMA: DOWN, DOWN TO A WATERY GRAVE | 12/8/1997 | See Source »

...whir of cellophane and custard. When the camera slides down the back of the alien like Fred Flintstone leaving the quarry at quitting time, we can only think of Spielberg's T. Rex--a death blow to the spit-and-steel horror of the original alien beast. Which brings...

Author: By Nicolas R. Rapold, CRIMSON STAFF WRITER | Title: Fear of Genetics Meets Cellophane and Custard | 12/5/1997 | See Source »

Previous | 118 | 119 | 120 | 121 | 122 | 123 | 124 | 125 | 126 | 127 | 128 | 129 | 130 | 131 | 132 | 133 | 134 | 135 | 136 | 137 | 138 | Next