Word: beastes
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...happen?" asked one horrified young viewer. "Where were the churches? Why did they not protest? Why was there no resistance?" Those who had lived through Hitler's reign reproached themselves. Said a Frankfurt book salesman: "I'm forever ashamed of my generation. How could we allow a beast like Hitler to come to power...
...usually the case with the stuff of legends, so no one really knows how young Paul William Bryant fared against that carny bear in Fordyce, Ark. Some say he lasted the $5 limit, at a dollar per minute, and collected his money; others insist that the scrawny old beast tossed the local boy off the stage of the Lyric Theater in short order. Bryant claims he has the scars to prove he was there, but the only thing that really matters is that the episode gave the boy a nickname to grow into-Bear. A perfect name for 50 years...
...model in the Jontue ads is pictured leading a white horse; to Outdoorsman Bergerac the first horse that subordinates showed him looked like a sway-backed plow dragger. The boss bought his admen a book on horses and insisted that they study it to pick a more imposing beast. They chose an Arabian stallion that is now pictured in almost every Jontue ad and counter display?a hallmark of Bergerac's approach. He insists that a woman must find at the cosmetics counter the same symbol that may have caught her eye in an ad, so that she can instantly...
...February eased into March, with all the niceties that make a month worth living, if not remembering. The snow blackened and turned to crumbs. The Faculty got ready to make itself famous with this beast called a Core Curriculum, and smiled as The Times and half the other newspapers in the country dropped them onto the front page--not the lead story, to be sure, but still down there on the front page, set in a nice conservative block of type...
...which quite often succeeded in evoking the composer's refreshing fairy-tale images. 'Pavane de la Belle au bois dormant' benefitted from luminous solo passages by the flute and clarinet and conjured a sensuous picture of Sleeping Beauty; the plaintive and delicate waltz Ravel wrote for Beauty and the Beast received a skillful treatment from the upper woodwinds and contrabassoon. But dynamic imbalances proved frustrating here as in the concerto. Too often the less important lines were simply not sufficiently subordinated; exquisitely played solo passages in the woodwinds in 'Laideronetter,' and for the violin and viola in 'Le jardin ferrique...