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...goes, where were they? Tavern keepers were amazed when a carriage turned unheralded into their dooryard and out stepped a tall man who proved to be the President of the U.S. The coachman would then investigate the stables, the President the rooms. If both proved too dirty for beast and man, the President would set out again, once in the middle of a torrential rainstorm although he did not know where on the deserted road he would find another tavern. He was puzzled that he received no dispatches from the capital. It turned out that due to a confusion...

Author: /time Magazine | Title: Time Essay: The Presidency: Where More Is Less | 8/4/1975 | See Source »

Small-Brained Beast. The predatory shark was easiest meat of all for editorial cartoonists. They soon drew great whites labeled inflation, Communism and energy crisis gobbling up wages, Portugal and motorcars. There was even a cartoon showing Gloria Steinem swimming down to bite a shark. Columnists too sought political parallels: the Washington Post's George F. Will expressed amazement that in Washington, "where the Congress is regularly on view, people pay to see this movie about a small-brained beast that is all muscle and appetite." Universal swiftly capitalized on all the attention, bringing out a full-page newspaper...

Author: /time Magazine | Title: Show Business: A Nation Jawed | 7/28/1975 | See Source »

...intrigue and despair, the decadent social life of prewar Russia. The last six scenes are devoted to the French invasion of 1812. Napoleon struts nervously (to the accompaniment of diabolic fanfares in brass), while Russian Field Marshal Kutuzov praises the people and plots the invader's doom ("The beast will be wounded with all the strength of Russia"). There is little continuity in the libretto written by Prokofiev and his second wife. Prokofiev was dramatizing only a series of focal points in the story that all his audiences know. In a final chorus ("We went to battle...

Author: /time Magazine | Title: Music: Battle for the Fatherland | 7/21/1975 | See Source »

That first crucial grasp of language (which Percy dubs, for personal reasons, the "Delta Factor") is the object of "a mild twenty-year obsession" on Percy's part. It separates man from beast; it gives him a unique tool for understanding his condition. Percy associates it with another obsession of his, the sort of inexplicable, poetic joy that everyone experiences from time to time--this he calls the "Helen Keller phenomenon," because it is the way Helen Keller felt when, later than most people, she first connected the word water with the actual item. But he also blames language...

Author: By James Gleick, | Title: One, Two, Many Discoveries | 7/18/1975 | See Source »

Upon reading The Great Victorian Collection, Graham Greene praised the author as "my favorite living novelist, [who] treats the novel as a tamer treats a wild beast." The encomium is understandable but slightly out of synch. Like Greene, Moore writes both serious works of art and prinking entertainments. The Lonely Passion of Judith Hearne and Catholics placed Moore in the front rank of contemporary writers. Whatever its intentions, the Collection ends as a Great Victorian Legpull. And pace Greene, this time it is the short limb that is being pulled...

Author: /time Magazine | Title: Books: Legpull | 7/14/1975 | See Source »

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