Word: beastes
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...doubly good fortune. And so, in the traditional three-hour ceremonies at Chiangmai, King Bhumibol welcomed the albino baby. Buddhist and Brahman priests chanted blessings; the King poured lustral water, presented golden robes to the tyke, and then stuffed its mouth with sugar-cane stalks inscribed with the lucky beast's name, Phisanuphan (meaning "auspicious royal elephant"). That last touch is crucial, since without it, a white elephant soon forgets what he's called...
...both wounded sensibility and the simple, stubborn faith that a man need not sell heart and soul to prove his love of country. Julie Christie, frankly passionate and vulnerable as Lara, proves again that she is a vital presence on the screen. Steiger, who makes his beauty-and-the-beast role a seething study of precariously balanced lusts, Ralph Richardson, Siobhan McKenna, Tom Courtenay and Rita Tushingham, all meet the film's exacting standard. In a vivacious debut, Actress Chaplin indicates that a striking resemblance to her father may be somewhat more than skin-deep...
...dissolve the boundaries between reality and dreams. "Have you ever been to a subway station?" he asks. "It is a totally man-made world of pure fantasy." For his Costume Party, the theme "left me free to range from contemporary experience to Greco-Roman metamorphosis of man to beast. It's illustrative of the many faces between man and woman in the nature of reality...
Windmill to Victory. From that point on, though, the contest is strictly man against beast. Last week, at the National Finals Rodeo in Oklahoma City, Franklin gave a superb demonstration of his skills. On his seventh "go-round," Glen lost precious seconds when he got off to a slow start, had to chase his calf halfway across the arena before he got within lariat range. Leaping out of the saddle, pigging string clutched in his teeth, he flung the calf to the ground and climbed astride, pinning the flailing legs between his own knees and "windmilling" the string around...
...effective when it shows men pushed to the last extremity, as in the brutal spectacle of a wounded gemsbok being slaughtered for food, or in Whitman's climactic hand-to-hand combat with the baboons' snarling leader. Though ferociously exciting in itself, this bout between man and beast in the wilderness only points up the failings of a movie that hasn't yet gone primitive when it suddenly goes...