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...Dunning, 8-7. The junior dropped his next bout, but rebounded by edging Dan Hilt and Bryan Ortenzio in the consolation draw. The Crimson wrestler’s run would end in the consolation semis. “[Picarsic] opened the tournament and went up against two guys who beat him earlier [this year],” Weiss said. “Tommy’s the kind of guy who puts the team on his back.” No other Crimson competitor made it past the second round of consolation. Still, Weiss found promise in the performances...
...think it’s definitely to our advantage at this point,” Kessler said. “The crowd, the fans, just the feeling of being at home and knowing that this is our house and that no one is going to beat us in this rink.”—Staff writer Kate Leist can be reached at kleist@fas.harvard.edu...
...proud of what we did, but at the same time, get ready for next year, regroup and really come back strong,” Pusar said. “Obviously we have a couple of big wins in there, we have the Penn and Princeton sweep, and we beat Michigan. We have potential and hopefully we can build on that, tighten up a little bit on some of the holes, and hopefully we’ll come back next year and have a great year.”—Staff writer Kevin C. Reyes can be reached...
...eventually encountered the akontig, an instrument fashioned from a gourd with striking similarities to today’s banjo. For 30 consecutive days, Fleck met and played with local musicians, choosing songs in the evening and playing them for the rolling cameras the next day. “The beat almost never was where I thought it was,” Fleck told the audience as a clip of one of his jams sessions was screened. “I was often one-sixteenth off.” After his African adventure, Fleck effectively put his musical career...
...back into Kindergarten: I, the short, klutzy spectator, was suddenly filled with the uplifting desire to drop my books and become a dancer. During Expressions Dance Company’s performance in the dimmed and lively Sanders Theater on Saturday, I found myself inadvertently tapping my pen to the beat. Nevermind the fact that I lack the graceful swanlike legs of a dancer, can’t count a beat, and have enormous, boat-like feet. “Cultural Rhythms” just does that to you; it makes you want to sing along, to get up and dance...