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Take Atlas Sound’s first album, “Let the Blind Lead Those Who Can See But Cannot Feel,” overdose it on Adderall, add an actual beat, and put it over an open flame, and you get “Legos,” the newest psychedelic pop-rock album from Deerhunter’s Bradford Cox under his solo project moniker. Fusing acoustic guitar chords, haze-like ambient synth, trippy electronic beats, and a yin-yang of light and dark tones, Atlas Sound succeeds in escaping the ill effects of the dreaded sophomore...

Author: By Alex C. Nunnelly, CONTRIBUTING WRITER | Title: Atlas Sound | 10/23/2009 | See Source »

...team isn’t doing anything largely different this week as it prepares for the Tigers, which it beat, 24-20, in New Jersey last season. For the first time in 10 years, Princeton has lost its first two league contests...

Author: By Scott A. Sherman, CONTRIBUTING WRITER | Title: Crimson Looks To Run over Rival Princeton | 10/23/2009 | See Source »

...These Roads Don’t Move” lines like “These roads don’t move / You’re the one that moves,” are surely meant to feel prophetic, but instead just feel insipid. As anyone even vaguely familiar with Beat literature can attest, Kerouac’s writing offers more beautifully composed images than those selected by Gibbard and Farrar to depict in song...

Author: By Clio C. Smurro, CONTRIBUTING WRITER | Title: Ben Gibbard and Jay Farrar | 10/23/2009 | See Source »

Both Ivy teams have played well in-conference (Dartmouth is 3-0-0, Harvard 2-0-1), and the Ivy League has shown its ability to advance teams past the first round of the NCAA tournament. But the conference will need to demonstrate its capacity to consistently beat nationally ranked teams if it hopes to continue garnering national respect...

Author: By Mauricio A. Cruz, CRIMSON STAFF WRITER | Title: CRUZ CONTROL: Ivies Struggle, Individuals Shine in Midyear Report | 10/23/2009 | See Source »

...grander themes, as the best selections from previous albums have managed to do. On 2004’s “I’d Rather Dance With You,” still their most perfectly crafted pop song to date, a stair-stepping piano outro elevates a jaunty beat to perfection; on 2001’s “I Don’t Know What I Can Save You From,” a gorgeous, transcendental violin solo strikes up around the three-minute mark. Every song on “Declaration,” on the other...

Author: By Jessica A. Sequeira, CRIMSON STAFF WRITER | Title: Kings of Convenience | 10/23/2009 | See Source »

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