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Word: beatings (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Sonny Boy Williamson, Otis Spann, and Elmore James knew these ideas instinctively. When Elmore James shouts the lyrics about his no good woman over the driving beat created by his rhythm section and then cuts loose with a barrage of savage notes he renders literary descriptions meaningless. Every man regardless of taste in music must be moved by the emotion and power of Elmore James' performance...

Author: By James C. Gutman, | Title: B.B. King Is King of the Blues--Black Music That Whites Now Dig | 2/27/1969 | See Source »

...there should be a radically different beat making an appearance and dominating the picture for several months at least. There is a fine chance that this beat will be originated by Clarence Carter, possibly the only man in the field with talents to match those of Smokey. In sum, 1969 probably will be much like 1968 with an intensified trend toward social comments and cultural self-awareness...

Author: By Clyde Lindsay, | Title: Black Singers Became Self-Aware in 1968 | 2/27/1969 | See Source »

...Space" is a song about being spaced-out. It starts slowly, as a stoned-steady guitar beat reverberating through an echo chamber accompanies the cool voices that weave in and out. "My body is walking in space/ My soul is in orbit with God, face to face," the eerie voices tell us, and we can believe in their moonglow-bathed hallucinations. But no sooner is the mood established, than composer Galt Mac Dermot and lyricists Gerome Ragni and James Rado destroy it by tipping their hats to the Times Square crowd. All of a sudden the chorus hippies are yelling...

Author: By Frank Rich, | Title: If Conrad Birdie Came Back to Broadway, Would He Have to Drop Some Acid First? | 2/27/1969 | See Source »

...Love," "The Look of Love," "I Say a Little Prayer,"' "Message to Michael"--most of which were initially sung by Dionne Warwick. These compositions owe something to rock, something to soul and something to Gilbrerto. But it is rock without the acid, soul without the traditional soul beat and orchestrations, Gilberto without the relaxing rhythms...

Author: By Frank Rich, | Title: If Conrad Birdie Came Back to Broadway, Would He Have to Drop Some Acid First? | 2/27/1969 | See Source »

...success of Promises and the rest of the latest batch of "rock" musicals certifies the fact that the paths of Broadway and true rock culture will continue to meet in the future. While some of the established critics will dissent--John Wilson of the Times found Promises all beat and no melody--the trend seems to be towards a modernization of the American musical. What remains to be seen is whether the New York musical theatre will receive enough potent doses of pop/rock to bring it down squarely on the side of the cultural revolution...

Author: By Frank Rich, | Title: If Conrad Birdie Came Back to Broadway, Would He Have to Drop Some Acid First? | 2/27/1969 | See Source »

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