Word: beatness
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...it’s going to be a tough series, no doubt,” Reese said. “Clarkson’s awesome. They’re a very good team—I think number five in the country right now—and they beat us twice this year. We’re going in very similarly, preparing the same way we did for Yale. We just know we need to play our best hockey to win.” The Crimson’s desire for revenge certainly adds more incentive...
...last single off of “B’Day,” this video returns to the bootylicious dancing and gyrating that made Beyoncé a household name. She doesn’t disappoint, popping and rolling through a dance sequence that capitalizes on the fast beat and fluid lyrics of “Upgrade U.” In the video’s only truly innovative sequence, Beyoncé lip-syncs Jay-Z’s verse while dressed in his signature white shirt and jeans, and at one point she appears as both herself...
...lyrics themselves actually have nothing to do with the video, and the story unfolds through a series of creative visual gimmicks, including detailed costumes and digital scenery. The song itself seems very much like a direct sequel to “Float On,” with its syncopated beat and über-positive lyrics, but that doesn’t really take away from the experience. “Dashboard” is just cool—whether Modest Mouse was going for rock opera or merely trying to do something different, the video never takes itself seriously...
...Argentina, watching endless hours of soccer (no complaints about that) and snatching only precious few basketball highlights on ESPN Deportes (all of them are of Manu Ginobili). I trekked through a horrendous blizzard in March 2005 to watch Harvard and Reka Cserny ’05 rally to beat Dartmouth and claim a share of the Ivy Title. One week later, we drove through sleet and rain to see the Crimson fall to the same Big Green team in a playoff in Providence. Last year, I covered a team plagued by youth, inexperience and injuries—a squad that...
...Hand,” is more of the same but less of the old. That is, the album is still distinctively RJD2, but in his latest release the turntable auteur moves farther away from his hip-hop roots and toward a more indie sound. On first listen, the mellow beats and serene vocals make “The Third Hand” seem like any other quasi-electronic album. But when you realize that RJD2 (born Ramble John Krohn) wrote, recorded, and produced the entire album by himself in his basement studio, it’s hard...