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...Munley, described by neighbor Brooke Beato as "very petite, with long blond hair and a strong personality," was credited by base officials with preventing further carnage by aggressively engaging Hasan as he shot at her. She rounded a corner, took aim at Hasan and brought him down, officials said. "It was an amazing and an aggressive performance by this police officer," base commander Lieut. General Robert Cone said. It was also a tactic straight out of the lessons learned from the 2007 Virginia Tech shooting, when first responders waited for additional backup before engaging the shooter...

Author: /time Magazine | Title: Fort Hood Hero: Who Is Kimberly Munley? | 11/6/2009 | See Source »

...While the shooting on Nov. 5 sent a shock wave throughout the tight-knit Killeen community, Beato, whose husband is an Army captain, said she was not surprised when Munley's name surfaced as the police officer who ended the shooting. "It was just like her - she carries herself with confidence," Beato said...

Author: /time Magazine | Title: Fort Hood Hero: Who Is Kimberly Munley? | 11/6/2009 | See Source »

...Beato is a 30-year-old mother of four whose children often play with Munley's daughters, ages 12 and 3, in a quiet cul-de-sac. "I couldn't believe what happened, but when I heard what she did," said Beato of her neighbor, "I believed that because of who she is - I know...

Author: /time Magazine | Title: Fort Hood Hero: Who Is Kimberly Munley? | 11/6/2009 | See Source »

...slate-blue monochrome to full color. While this sacrifices the melancholy, "ghostly" tone of the comic, it also allows for sharper contrasts between the garish, fluorescent world of fake fifties diners and multiplexes vs. the velvety tones of Enid and Seymour's cluttered bedrooms. Director of photography Affonso Beato makes the most of highlighting how ghastly America's commercial spaces and their inhabitants have become. "Look at all these creeps," Enid squeals with delight as she enters the sunless world of an "adult" videostore...

Author: /time Magazine | Title: Anticipating a 'Ghost World' | 7/20/2001 | See Source »

...dream world of the next few scenes vanishes the next night, a rainy and cold evening and Esteban's birthday. Affonso Beato, director of photography, employs clever technique interposing dot matrix drawings of women in red over Manuela's image. Similarly, the night's coldness is reflected in camera angles of rain on the windows and fog in mirrors. One can almost feel the chill of the evening on one's shoulders. This clammy sensation follows the viewer as Manuel and Esteban observe a performance of Streetcar Named Desire, a play holding special significance to Manuela. Twenty years before, Manuela...

Author: By Nikki Usher, CONTRIBUTING WRITER | Title: Almodóvar in Love...With Mom? | 12/3/1999 | See Source »

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