Word: beaton
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...censure the expression of free speech and to defend an outrageous example of irresponsible scholarship. Robert B. Leflar '72 Phllip N. Alexander '73 Ronald L. Tresper, tutor Harvey Nicholls '73 Donna J. Brorby '73 Kenneth R. Manning, tutor Harllsos A. Lessios '73 Kenneth H. Hass '72 Frank R. Beaton '72 Betsy L. Wolf '73 Marcin A. Duncan '74 Bernard Lo, tutor and 93 other members of Dunster House...
...That party was staged in Manhattan more than a decade ago. This year's birthday celebration, "a biggish affair with family and close friends," according to the palace's description, will be one fully befitting a royal septuagenarian. Seventy is stately and sugary, according to Cecil Beaton's official photo portrait, which shows the smiling Queen Mother in diamonds and pearls against a backdrop of flowering rhododendron...
Barbra plays Daisy Gamble, a latter-day Brid?y Murphy whose soul shuttles from 18th century England to contemporary New York. Arnold Scaasi designed her knockout New York wardrobe; Cecil Beaton did her up for the London sequences. What more could a girl want, except maybe a movie? Instead, she has Scenarist-Lyricist Alan Jay Lerner's drab romance of Daisy and Doctor Marc Chabot (Yves Montand). The girl's especuliarities drive Chabot mad-do you hear?-mad, mad, mad! But ultimately he learns that scientists must leave the infinite alone, and Daisy goes back to her star...
...conductor of the Super Chiefs is Coach Hank Stram, a spry, spruce little fellow (5 ft. 7 in., 205 Ibs.) who looks like a Cheshire cat, dresses like Cecil Beaton, talks like Otto von Bismarck and operates like Jimmy Valentine. "Every team," he says, "should have its own style that reflects the personality of the coach." The Kansas City Chiefs are a mirror image of both sides of Stram's personality: courteous, reliable and trustworthy off the field; coruscating, resourceful and a little terrifying on it. When it comes to dealing with players, Stram has every grain of Vince...
Admirable though it is, her work does not work, precisely because it is all work and no play. She gets little help. Andre Previn's score always misses, without ever swinging. Beaton's costumes are a slight modification of the timeless Edwardia that he prefers to inhabit, and scarcely reflect the spare Mondrian modern that is the mark of Chanel. Lerner's book manages to suggest a rough draft rather than a finished libretto. He must be somewhat chagrined that the biggest laugh of the evening comes when Hepburn spits out the short word for excrement...