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...Pygmalion to many a Hollywood Galatea (Garbo in Camille, Ingrid Bergman in Gaslight), she exquisitely personifies "a squashed cabbage leaf" transformed into an English rose. Her comedy scenes are delectable, her charm ineluctable, and her first appearance among society folk at Ascot-in a gown created by Designer Cecil Beaton, whose art nouveau sets and costumes are a splendid show in themselves-is one of those great movie moments seldom accomplished without the help of brass bands and fireworks. And Hepburn tops that when she begins describing, in precise Mayfair accents, the drunken demise of her old aunt...

Author: /time Magazine | Title: Cinema: Still the Fairest One of All | 10/30/1964 | See Source »

...public consciousness a new appreciation of an old art style that was known in its day as art nouveau-new art. In planning the film's sets and 1,000 period costumes, complete with white lace, pink muslin, and ostrich feathers sprouting from extravagant hats, British Designer Cecil Beaton drew on childhood memories of Edwardian England at the turn of the century. He thereby put the movie right in the current stylistic swim. For a decade the revival of art nouveau has been building in nostalgic museum shows in London, Munich and New York; now it has burst...

Author: /time Magazine | Title: Styles: New Look at Art Nouveau | 8/21/1964 | See Source »

...Dagmar, Kaye Ballard, Jacques d'Amboise, Melissa Hayden, Vicki Cummings and lots of others-and everybody got dressed up in the wildest costumes while Cris Alexander took loads of simply outrageous pictures. Pat's manuscript had everybody in stitches. The joke was a good one when Cecil Beaton produced My Royal Past a generation ago; now, under Dennis' heavier hand, ersatz autobiography-with-snapshots is nothing but a drag...

Author: /time Magazine | Title: Books: Also Current: Aug. 7, 1964 | 8/7/1964 | See Source »

Some essays amuse and others inform; some are truly important while the value of others is chiefly historical. Some are trite and some just bore. The photographs (by Cecil Beaton and Edward Steichen among many others) and art reproductions in this oversize, handsomely bound volume are superb...

Author: By Susan M. Rogers, | Title: Vogue's Bizarre World | 12/19/1963 | See Source »

...dwells in a world of beauty, yet no one has ever called her pretty. She likens other women to swans and skylarks, but finds herself described (by such an expert as Designer Cecil Beaton) as "an authoritative crane." Though she is a generous flatterer of the physical attributes of others, even her own admiring friends must strain to return a compliment ("Well," said one, straining, "she has a strange and marvelous spine"). Her walk has been described as a camel's gait, her nose as something stolen off a cigar-store Indian. Yet thousands of women cut their hair...

Author: /time Magazine | Title: Fashion: The Vreeland Vogue | 5/10/1963 | See Source »

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