Word: beauvoir
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...defense responded by attacking France's anti-abortion law, which forbids the operation except to save a woman's life. Nobel-prizewinning Biochemist Jacques Monod testified that, in his opinion, a fetus only a few weeks old could not be considered a "human being." Author Simone de Beauvoir denounced the law as an oppression of women, while Actresses Françoise Fabian and Delphine Seyrig said that they were equally guilty, since they too had had abortions...
...COMING OF AGE. Simone de Beauvoir recounts the plot of the ancient Japanese novel Narayanan. It tells of the primitive custom, the "Feast of the Dead", the execution of village elders who have become a burden on their children or have merely reached on untenable age. "Do the sacrificed elders often have a reaction of dread and rebellion?" de Beauvoir asks. She thinks evidence proves they do. Yet spanning the centuries as well as the distance between East and West, she concludes that old that old age has become life's parody in all societies, an end so degrading that...
...Beauvoir the only solution to this ignominious situation is to go on pursuing the ends that give our life meaning, and to fight society's greatest crime of stealing this meaning away. But her condemnation is born of her disgust with the whole capitalist "system" that destroys old and young alike. In his masterful film. "Tokyo Story" (made in 1953 but only later released) Yasujiro Ozu draws no such socialist conclusions, although to him the continual "meaning of life" is even more sacred than to de Beauvoir. He draws no conclusions at all. Not compromising the simplicity of presenting things...
...COMING OF AGE, Simone de Beauvoir recounts the plot of the ancient Japanese novel Narayama. It tells of the primitive custom, the "Feast of the Dead", the execution of village elders who have become a burden on their children, or have merely reached an untenable age. "Do the sacrificed elders often have a reaction of dread and rebellion?" de Beauvoir asks. She thinks evidence proves they do. Yet spanning the centuries as well as the distance between East and West, she concludes that old age has become life's parody in all societies, an end to life so degrading that...
...Beauvoir the only solution to this ignominious situation is to go on pursuing the ends that give out life meaning, and to fight society's greatest crime of stealing this meaning away. But her condemnation is born of her disgust with the whole capitalist "system" that destroys old and young alike. In his masterful film, "Tokyo Story" (made in 1953 but-only eventually released) Yasujiro Ozu draws no such socialist conclusions, although to him the continual "meaning of life" is even more sacred than to de Beauvoir. He draws no conclusions at all. Not compromising the simplicity of presenting things...