Word: beauvoirs
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...SIMONE DE BEAUVOIR...
...this Women's Lib thing" filters in through television and newspapers. The library has copies of Simone de Beauvoir's Second Sex and Betty Friedan's Feminine Mystique on its shelves, but not Kate Millett's Sexual Politics or Germaine Greer's The Female Eunuch. The crisp explanation from Librarian Jeannette Winter: "I'll get them as soon as three people ask for them...
...Loved Children, one of the most virulent portraits of male delusion and domestic agony ever created. Though it has become a minor classic, it was all but unnoticed when it came out in 1940. In the 1950s Simone de Beauvoir's She Came to Stay and Mary McCarthy's A Charmed Life introduced to a wide audience the intelligent, exacting female who assumes that all the best minds are androgynous and finds nothing but trouble as a result. Now the growing list includes Doris Lessing, Sylvia Plath, Joan Didion, Margaret Atwood, Marge Piercy, Cynthia Buchanan and Joyce Carol...
...have already resulted, with scores more to come. Predictably, most of these creations were hotly and hastily done by Women's righters who are not, alas, women writers. Hardly any can compare to the majestic range and mastery of the few earlier classics on the subject, Simone de Beauvoir's The Second Sex (Bantam; $1.25) or Virginia Woolf's graceful, extraordinarily affecting A Room of One's Own (Harbinger; $1.95), both happily still in print...
Even while it was going on, the Long March lay on the edge of myth. No one has done much to reduce its mythic content. In her own book called The Long March, Simone de Beauvoir made it an elaborate Gallic metaphor for revolution, while André Malraux (who got Mao to tell him about it in 1965) used it, in his non-biography An-timemoires, mostly as an excuse for some very elegant prose. Dick Wilson, an editor of the Singapore Straits Times, has modestly tried to assemble a straightforward account based on Chinese sources, scrupulously avoiding conjecture...