Word: beaux
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Dates: during 2000-2009
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...elected to the Academie des Beaux-Arts...
...when he says that "Chicago invented modern architecture, invented modernity after the fire." The Great Fire of 1871 wiped away large stretches of the city and opened them for rebirth in a modern industrial and high-rise idiom. There was nothing particularly modern about the original Art Institute, a Beaux Arts culture palace from 1893. But it symbolized the determination of the city's élite to rebuild Chicago as a cultural force to be reckoned with. Over the years it was expanded frequently. Now the 264,000-sq.-ft. addition of the Modern Wing, which was proposed...
...Civil War. The cottage and its surrounding buildings were made a national monument in 2000, and in preparation for its opening last year, the National Trust for Historic Preservation carried out a multimillion-dollar renovation. But preservationists didn't just restore the buildings. They greened them, beginning with the Beaux Arts house next door that now serves as a visitors' center. Renovators kept 98% of the house's existing walls, roofs and floors and used recyclable material for the rest. Large windows were put in to reduce the need for artificial lighting, and low-flow plumbing was installed...
...classicism and a romantic view of nature that stretches back to the 18th century. The original museum, a complex of 11 buildings constructed over decades in Golden Gate Park, was badly damaged by the earthquake that hit the Bay Area in 1989. While keeping some of the original Beaux Arts structure, Piano has wrapped it in a finely detailed package of glass and steel...
...other big complaint is about the introduction of contemporary art. Fumaroli wrote an indignant piece in the French magazine Beaux-Arts about the biggest show to date, an exhibition by Belgian artist Jan Fabre that was held earlier this summer in galleries containing Dutch and Flemish masterpieces. Among the highlights: a table strewn with feathered sculptures depicting the severed heads of seven owls in the same room as Van Dyck portraits, and a gigantic earthworm wriggling on upended gravestones sharing a space with 21 Rubens depictions of Marie de Medicis. The show was part of a series called "Counterpoints," designed...