Word: beaverbrook
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Dates: during 1950-1959
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...Nauseating," cried London's Daily Telegraph. "A deliberate gesture of contempt," roared Lord Beaverbrook's Express. Just as angrily, Nasser's newspaper Al Gumhuria retorted: "Suppose we make not one but a thousand museums to commemorate the horrible attack on us-what business is that of London's?" Stiffening his upper lip, Selwyn Lloyd took the view that Nasser could not have known of the insult in advance...
...Twentieth Century (CBS, 6:30-7 p.m.). Suicide Run to Murmansk, the most dangerous convoy trip of World War II, is revisited on film by some men who were there when the going was tough. Guests include former Foreign Correspondent Walter Kerr; David Sinclair, a British sea captain; Lord Beaverbrook: and a U.S. Navy survivor, Charles M. Ulrich...
...arch formed by two gigantic elms on the grassy southern bank of the St. John River at Fredericton, N.B., some 1,000 art buffs and dignitaries gathered one day last week for the dedication of Canada's newest art gallery. "This is not the first contribution that Lord Beaverbrook has made to the arts in Canada," said Master of Ceremonies William G. Constable, onetime curator of the Boston Museum of Fine Arts. "But it is incomparably the greatest." On the platform behind him, Lord Beaverbrook beamed at the crowd...
...latest gift of famed, splenetic British Publisher Beaverbrook (Daily Express, Evening Standard) to his boyhood province is an expertly lighted, $1,000,000 museum of glazed bricks, white limestone and greyish-white marble. The building is divided into a recessed showroom where the picture-windowed north wall frames the placid river flowing below, a long and large gallery at either end, and a basement that converts easily from exhibition halls into lecture rooms. To cut the glare from artificial lights, all walls are faced with a light beige fabric; grey and brown terrazzo floors are offset by stairways trimmed...
Critic by Acquisition. Beaverbrook's biggest donation is not the museum but most of the 300-odd paintings hanging in it. Valued at $2,100,000, Beaverbrook's collection provides the gallery with a comprehensive sampling of British art from Hogarth to Francis Bacon, representative works of nearly all Canadian artists of stature, plus a scattered few paintings by Europeans. Other Canadian tycoons supplemented the basic collection with gifts of their own. Toronto's Matthew James Boylen (asbestos, copper and lead mines) presented the new gallery with 22 Krieghoffs; the estate of the late Sir James Dunn...