Word: bebop
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Dates: during 1950-1959
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...Honey ..." Waldron still spins such platters as Bebop Baby and Black Slacks, still chatters on about his sponsor's solid products, still gives the latest news bulletins every half-hour. But in between, he must find out whom Bassanio in The Merchant of Venice married, define "scyphus," reel off the precautions that should be taken when making an atomic reactor or ponder such posers as how fast a snowball of a given diameter must go to melt on impact with a wall of a given temperature. Though he sometimes postpones the more difficult questions, he usually finds something...
...beat music of Jimmy Lunsford; Benny Goodman and the importance of his Fletcher Henderson arrangements; the blues-based simplicity of Count Basie; the thin, sparse sax playing of Les Young; the small jam sessions during World War II made necessary by the wholesale draft; the emergence of bebop and the "soul" of Charlie Parker; the wild, Afro-Cubanism of Dizzy Gillespie; the "cool jazz" of Miles Davis; the influence of Woody Herman and Stan Getz; the recent "West Coast jazz," with its use of flutes and oboes, its emphasis on counterpoint and on writing out all the notes instead...
Oasis on the Riviera. Dominique, the heroine, is a law student, but essentially a kind of sophisticated Gallic equivalent of a rock-'n'-roller. She smokes incessantly, drinks Scotch methodically and goes to bebop dances at a nightclub called the "Kentucky."' Much of the time she is "bored passionately," and her casual, completely physical love affair with Bertrand, a fellow student, rarely takes the edge off that boredom. Then Bertrand introduces her to his uncle Luc and Dominique decides hopefully: "He's just the kind that seduces little girls like...
...build up his stamina and improve his balance. "Balance is everything," he says-and when he is going well, he is so perfectly poised that he seems to float over the cinders. He is also incredibly relaxed during a meet, a quality he attributes to his dancing to bebop music whenever he can. "A good bop keeps you nice and loose. If I go out and bop, I feel O.K. the next...
...music he plays. At the Downbeat, Jay Mugliori calls it "contemporary"; at the Five O' Clock Club, Miles Davis plays "modern", and in The Stable, Varty Haroutunian says it's "progressive." But all play in Boston's warm style. Essentially it is a cross between the hot emotionalism of bebop and swing, and the intellectual coolness of the West Coast...