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Word: bebop (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...years, migrating north to Chicago and later New York and finally exploding world-wide on records. The jazz anyone plays today depends so much on what happened in those years--on the rise of overpowering soloists like Louis Armstrong, the big-city, big-band style of Duke Ellington, the bebop innovations of Charlie Parker, even the European heritage brought in more and more by the Modern Jazz Quartet--that, while young musicians can strive toward a self-consciously primitive jazz style, they cannot duplicate the attitude and style of the working-class men who, in the first quarter of this...

Author: By Richard Shepro, | Title: Jazz Preserved | 3/15/1973 | See Source »

...modulated by a sophisticated Ellingtonian touch. The first Herd's explosive rendition of such numbers as Apple Honey and Northwest Passage appealed to just about everybody-including Igor Stravinsky, who wrote the Ebony Concerto for Woody in 1946. The second Herd (1947-50) tried to hitch up with bebop, but muffled its big beat in the process and dropped $175,000. In the '50s and early '60s, Herman leaned toward one pop trend and then another, but basically stuck to a swinging style that never buried the beat...

Author: /time Magazine | Title: Music: Out There Forever | 5/11/1970 | See Source »

Taste and Love. Ever since Dixieland and ragtime, jazz has worked best, and spoken most eloquently for the black American, when it was most free and spontaneous. By the middle 1950s, after swing and bebop, jazz was wedded to the classics through the progressive jazz of Brubeck, the Modern Jazz Quartet and others. It took on an increasingly formal, warmed-over character. At that moment, the need for the New Thing first stirred among future jazz movers like Alto Saxophonist Ornette Coleman, Pianist Cecil Taylor and Tenor Saxophonist John Coltrane...

Author: /time Magazine | Title: Music: The New Thing | 4/6/1970 | See Source »

...store for bungalow paint. Merilee plowed the aisles, selecting her barn reds to match her tangerines, and left Sam and the keeds to pay. When they caught up. Merilee and Stefan were across the street in front of the garden store, standing stranded in an island of bebop potted trees and exotic flora they had selected, waiting for Sam to arrive with the cash...

Author: NO WRITER ATTRIBUTED | Title: No Headline | 4/1/1970 | See Source »

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