Word: bebop
(lookup in dictionary)
(lookup stats)
Dates: during 1980-1989
Sort By: most recent first
(reverse)
...understand that Collins was not technically a tap dancer, but a hoofer. Whereas a tap dancer concentrates on the effect of movement, a hoofer expresses himself through percussion, creating melodies with his feet. As Dizzy Gillespie explains during the film, "Leon was one of the pioneers of the bebop of dancing, along with Teddy Hale and Baby Laurence. They would dance one of my solos or one of Charlie Parker's, and they'd do it perfectly. They used to knock...
Roland Tec's music, composed for this production, tends to work against the play's attempt to evoke '20s Chicago. Though jazzy, it sounds too much like '40s bebop. The scat singing between scenes is clearly not spontaneous. Not that Tec's music should sound like frequent Brecht collaborator Kurt Weill's, but it adds little and even detracts from the atmosphere...
From 1948 to 1978, from bebop to the twist to disco, Seeburg was the jukebox king, selling more boxes to more bars, restaurants and soda shops than any other firm. But in 1979 Seeburg filed for reorganization under the bankruptcy laws. Like its competitors, the company had been hurt by its dependence on 45- r.p.m. records, which today account for only 5% of the record and tape market...
None but the French have swum so easily in the rude and mysterious currents of American culture. They found philosophy in our comic strips, published our expatriate novelists, embraced Hollywood movies and dubbed their directors "auteurs." And when the pioneers of bebop pushed jazz away from melody and into the ionosphere of improvisation, French intellectuals were happy to welcome these black American outlaws to Paris after World War II. Bud Powell, the pathfinding bop pianist, settled there in the '50s, made friends and musical history and went a little crazy. Dexter Gordon, a crucial link in tenor-sax bop between...
...just don't go out and pick a style off a tree one day," Turner tells Francis. "The tree's growing inside you, naturally." Tavernier has dared to find his new film's style in the cool, dark colors and loping harmonics of bebop, and especially in the laconic tempo of Gordon's speech and walk. Gordon, whose only previous movie gig was a stroll-on in the 1955 melodrama Unchained, commands the screen with the dignity of an exhausted emperor. He mines humor from his fastidious diction, has a ponderous grace and takes pauses that could drive Pinter nuts...