Word: bebop
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Dates: during 2000-2009
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...early encounter had little impact on Newman's career, which successfully spanned nearly five decades. Inspired by the sounds of bebop saxophonist Sonny Stitt, whose control of the instrument Newman called "superb," he became an important part of R&B crooner Ray Charles' crew in the 1950s; one of their biggest hits was "I Got a Woman...
Where to Shop Want to de-blandify your Ikea home? Hit the Haga - the city's oldest quarter - and search out a truly unique piece of Scandinavian design. The winding streets here house a dozen antique stores, but the best is Bebop Antik, which specializes in 20th century furniture and furnishings. Run by jazz buff Stefan Tellevi, the shop is crammed with classics, including twisting vases by Swedish glass designer Vicke Lindstrand and minimalist chairs by Denmark's Kaare Klint. 4 Kaponjärgatan; www.bebop.se...
...During the Big Band era, drummers unobtrusively maintained a song's rhythm. As a founding father of the revolutionary genre of bebop, visionary bandleader Max Roach made percussion a star player. He backed Duke Ellington and Charlie Parker as a teenager, and on seminal recordings ranging from Parker's Ko-Ko to Miles Davis' Birth of the Cool sessions, he created rich, complex, melodic sounds and drove rhythms disturbed by loud bass-drum beats, sudden silences and offbeat riffing. After his hugely successful quintet dissolved in 1956, following the death of his friend and band co-founder, trumpeter Clifford Brown...
...group of musicians on a parade route--a fitting start for a founder of New Orleans' modern-jazz scene. A versatile clarinetist-composer for greats from Ray Charles to Cannonball Adderley, Batiste drew national attention in the '80s as a member of the innovative band Clarinet Summit. The bebop master died of an apparent heart attack hours before he was to perform alongside Wynton Marsalis and Harry Connick...
...his name does not sound familiar, that's just how maverick clarinetist Tony Scott wanted it. Among the loudest horn blowers in jazz and a venerated sideman for greats like Billie Holiday and Duke Ellington, he was one of the rare masters of bebop--a jaunty sound previously deemed incompatible with the clarinet's soft tones. The arranger and composer also branched out to embrace sounds from countries like Japan and Senegal, helping launch the genre now known as world music. In doing so, he skirted classification--and high-voltage celebrity. "Without experimenters," he said, "jazz would die a lingering...