Word: bebopping
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...style balloon pants. Then gangsta rap: N.W.A. rapping "F____ tha police"; Snoop drawling "187 on an undercover cop"; and Tupac crying, "Even as a crack fiend, mama/ You always was a black queen, mama." Then Mary J. Blige singing hip-hop soul; Guru and Digable Planets mixing rap with bebop; the Fugees "Killing me softly with his song"; Puffy mourning Biggie...
Eric Pooley only scratched the surface in writing of Jimmy Buffett's appeal to his Parrothead fans the world over [SHOW BUSINESS, Aug. 17]. Buffett is a folk, country, rock-'n'-roll, calypso, Latin, honky-tonk, Big Band, reggae, bebop, Tin Pan Alley, zouk, polka singer. He has become a spokesman for those of us who still enjoy being "the people our parents warned us about." For 364 days of the year, we deal with unadulterated crap, but on the 365th, Buffett comes to town and we slip away to Margaritaville. Being a Parrothead isn't without its responsibilities, however...
...uprising that began when Louis Armstrong blew his first hot notes grew into a revolution. Continually shifting--Big Band, bebop, cool--and propelled by the sorcery of improvisation, jazz absorbs, transforms, discards, but always replenishes itself. Here are some of the other cats who made things swing...
CHARLIE PARKER (1920-1955) With startling impact, the musical quantum leap known as Bebop shook the jazz world in the mid-1940s. Its prime energy source was sax man Parker. Unhinging improvisation from song melody, jumping into dissonances and spinning out complex lines, Parker created the sound that dominated postwar jazz. His 1953 recording Jazz at Massey Hall catches this revolutionary in full flight...
MILES DAVIS (1926-1991) Kind of Blue, Davis' landmark 1959 recording with John Coltrane and Cannonball Adderley, was the apotheosis of Cool Jazz. Distilling the music to an almost bare essence, Davis and arranger Bill Evans created a lean, sensuous sound that broke with the intensity of bebop and attracted thousands of new listeners to jazz. Davis' warm, amber tone was the model for a generation of trumpeters...