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...astonishingly modulated performance based on a remarkable gift for subtle timing and inflection. I cannot imagine another player's surpassing this feat, which is destined to be a classic. Miss White is most ably supported by Edward Finnegan's Willie; indeed Finnegan is more piteous than was John Becher in the original production...

Author: By Caldwell Titcomb, | Title: Beckett's `Happy Days' | 8/13/1963 | See Source »

...glossily intimate. If there is a serious weakness, it is much the weakness of New Faces of '52: the product isn't really up to the packaging. Peter Larkin, largely with airy spiral staircases and rows of slatted doors, has created gay all-purpose backgrounds, and Thomas Becher has brought to the costuming just the right lunacy or lure. The 19 new faces are often expressive as well as likable, the show moves pleasantly along, the turns vary considerably in style...

Author: /time Magazine | Title: The Theater: New Revue in Manhattan, Jun. 25, 1956 | 6/25/1956 | See Source »

Nature has seldom devised a more demanding steeplechase than the Grand National at England's Aintree with its 4½-mile course and 30 jumps over brush, fence, rail and water, including famed, treacherous Becher's Brook. Last week a crowd of 250,000, including a big contingent of Irishmen and a flock of hopeful holders of Irish Hospital Sweepstakes tickets, turned out to watch the 108th running of the Grand National and shudder at the spills. The footing was soggy and spills came early: three horses went down at the first jump, two at the second. Only...

Author: /time Magazine | Title: Sport: Luck of the Irish | 4/5/1954 | See Source »

...Almanac are the revue staples--satiric sketches, comic monologues, and production numbers. Even more stubbornly than the usual revue, however, the show makes no attempt to tie them with a cohesive thread. The only common elements of the scenes are the superb settings by Pene Du Bois and Thomas Becher, innocuous and infinitely forgettable music by a dozen composers, and a general sophistication which often seems precious. Particularly expressive of these three elements are a "Ballet Ballad" from a story by Oscar Wilde and the opening number, pretentiously invoking the Spirit of Theatre and dull musically, yet striking...

Author: By R. E. Oldenburg, | Title: Almanac | 11/12/1953 | See Source »

...German Communist press, which knows a plug when it sees one, joyously spread Mann's panegyric to Becher across its front pages. In Pacific Palisades, Calif., where Mann, now a U.S. citizen, is completing a new novel, his wife explained that her husband does not share Becher's political views but "is convinced of Mr. Becher's idealism." Said Daughter Erika: "Father feels badly that it is not possible to write a letter to a man any more without stirring up this kind of thing...

Author: /time Magazine | Title: IDEOLOGIES: The Company He Keeps | 6/25/1951 | See Source »

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