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Hentoff: I was in Widener library one Sunday afternoon doing research and I heard Sidney Bechet was playing downtown, so I left. And I realized that was where I wanted to be. This is all in the book...

Author: By Rachel E. Dry, CRIMSON STAFF WRITER | Title: Q and A: Nat Hentoff | 2/28/2002 | See Source »

...instrumental hits traded in wanderlust: "Lisbon Antigua" (by Raul Portela, Jose Galhardo and Amaduedo Vale, recorded by Nelson Riddle), "The Poor People of Paris" (Marguerite Monnot's "La Goualante De Pauvre Jean," covered by Les Baxter), "Never on Sunday (Manos Hadjidakis), "Petite Fleur" (composed by expatriate jazz lion Sidney Bechet and Fernand Bonifay, and a 1959 hit for Chris Barber...

Author: /time Magazine | Title: That Old Feeling: Yesterday When We Were Young | 5/18/2001 | See Source »

Record producer extraordinaire John Hammond, whose discoveries ranged from Count Basie to Bob Dylan, turned impresario in 1938 and 1939 for a pair of Carnegie Hall concerts featuring an eye-popping array of now legendary jazz, blues and gospel artists, including Basie, Sidney Bechet, Charlie Christian, Benny Goodman, Sister Rosetta Tharpe and Big Joe Turner. Both concerts are available for the first time on CD, in digitally remastered sound, with 23 previously unreleased tracks thrown in to sweeten the pot. This three-disc boxed set is a platinum mine of great American music...

Author: /time Magazine | Title: Music: From Spirituals To Swing | 12/6/1999 | See Source »

...PARENTS. WOODY ALLEN, 63, filmmaker, and his wife SOON-YI PREVIN, 28, have a daughter, Bechet Dumaine Allen. A spokesman for Allen would not comment on whether the couple's first child, named for jazz clarinetist Sidney Bechet, was adopted or biological...

Author: /time Magazine | Title: Milestones May 10, 1999 | 5/10/1999 | See Source »

...music, what Allen lacks in in clarinet technique he makes up in sheer energy and passion. He goes for what he calls a "crude" sound, based on the styles of New Orleans legends like George Lewis, Albert Burbank and Sidney Bechet. Give him an A for authenticity. Few players today can boast such a powerful tone. That's due partly to his use of an extremely hard reed (Rico No. 5, about one step down from a roof shingle) and partly to his penchant for the now obsolete Albert system of keys and fingerings, favored by all the old-timers...

Author: /time Magazine | Title: MUSIC: TAKE THE MONEY AND PLAY | 3/18/1996 | See Source »

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