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...appeared as increasingly deteriorating versions of himself in Hollywood Cavalcade (1939), Sunset Boulevard (1950) and Beach Blanket Bingo (1965). He turned his anger inward and drank himself to distraction. Yet he also lived long enough to become the somewhat puzzled darling of academics and film historians. Samuel Beckett sought him out and wrote a screenplay, Film (1964), in which Keaton starred. When the two met for the first time, they discovered that they had almost nothing to talk about...

Author: /time Magazine | Title: Books: Hard Knocks | 9/3/1979 | See Source »

William Alfred, speaking on "Beckett's Waiting for Godot and After", is reportedly one of the nicest professors around, and for the English Department, this says a lot. The topic is rather interesting, too, although most people will probably re-enact the end of Godot: "Let's go. (They do not move...

Author: NO WRITER ATTRIBUTED | Title: Notes From the Underground... | 8/17/1979 | See Source »

...blue paper set down with an odd, veiled discomposure. The size of the painting laconically follows the size of its subject. Isolated and closely scrutinized, these motifs give Arikha's canvases a likeness (insofar as painting can ever resemble writing) to the elliptical sentences of his friend Samuel Beckett, imbued with a hard-won sense of the difficulty of any kind of description...

Author: /time Magazine | Title: Art: Arikha's Elliptical Intensity | 7/30/1979 | See Source »

Kenney's proposal received some eyecatching endorsements. "Ingenious," said Roy Schmidt, senior vice president of the firm that designed the building. "Something that we can all enjoy," said Charlotte Mailliard, a former member of the Landmarks Advisory Board. But Transamerica Chairman John Beckett turned Kenney down. Said Beckett: "This building is like our house. It's where we work and live, and we just don't want an eye on it." Said Kenney: "They just don't speak an artist's language...

Author: /time Magazine | Title: Americana: Eye of the Beholder | 7/16/1979 | See Source »

...scared stiff of stillness. There are no intentional laughs in either movie,and nobody smiles. The actors are too busy being realistic. And finally, the atmosphere of each becomes oppressive: the popcorn gets stuck in your throat. Existentially, Alien is more of a downer than Waiting for Godot. Beckett pins some hopes on the human spirit and personality; Alien presents people as walking red meat and pus for greedy lobsters...

Author: By David B. Edelstein, | Title: The Beast in All of Us | 7/3/1979 | See Source »

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