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Muchmore's criticism of Alon Hilu's play could have been applied to almost any play by Samuel Beckett, Eugene Ionescu or other Absurd playwrights. "The same joke is repeated relentlessly," writes Muchmore. "It then turns out that the whole conflict has also ocurred mulitple times...[the characters in the play] inhabit their own world, one that lacks meaningful contact with the real world...it walks a thin line between reality and oddball fantasy...[and] asks a few more questions than it ends up answering...The characters succesfully end up seeming crazy without being enlightening...[and the play] never gives...

Author: NO WRITER ATTRIBUTED | Title: Muchmore Misses Point of The Day of the Dogs | 4/18/1997 | See Source »

...rest of the play draw the line between the fantastic and the real, bringing the viewpoint of a modern, cynical viewer into the play. In his battered black suit, derby hat and worn-out umbrella, Burt-Kinderman's Jacques seems a cross between Charlie Chaplin and one of Beckett's existentially confused wanderers from Waiting for Godot. Her razor-sharp portrayal electrifies the play. Deftly handling Jacques's bitter one-liners, she also does an unusually effective job with the play's famous "Seven Ages of Man" monologue...

Author: By Susannah R. Mandel, | Title: The Bard Transmogrified Shines | 3/13/1997 | See Source »

When Robbie Reimuller (Seth Adkins) is diagnosed as having epilepsy, his parents Lori (Streep) and Dave (Fred Ward) go along with the specialists' recommendations. But Dr. Abbasac (Allison Janney), a real Cruella DePill type, makes Robbie a tiny living lab for dubious experiments. Ann Beckett's bold teleplay charges doctors with being addicted to prescribing dangerous drugs to kids. The medical ordeal also acts as a mind-altering drug on Dave and Lori; it twists their love into rage and recrimination...

Author: /time Magazine | Title: TELEVISION: DOING WELL AT DOING GOOD | 2/17/1997 | See Source »

...lads stole his stash. But the real story is of the runaround Spoon and Stretch get from social-service employees who can't be bothered to help addicts get into rehab programs. This is an action comedy about two guys waiting in line for nothing to happen: Samuel Beckett rewritten for Simpson-Bruckheimer...

Author: /time Magazine | Title: CINEMA: THE BETTER SIDE OF TUPAC | 2/3/1997 | See Source »

...lads stole his stash. But the real story is of the runaround Spoon and Stretch get from social-service employees, who can't be bothered to help addicts get into rehab programs. This is an action comedy about two guys waiting in line for nothing to happen: Samuel Beckett rewritten for Simpson-Bruckheimer. Part of the joke here is that Spoon and Stretch, who are less performance artists than petty criminals, suffer from welfare-state dependency. And, in Michigan, this is the wrong state to depend on. Public servants are ignorant or lazy or just plain crazy."The film...

Author: /time Magazine | Title: Weekend Entertainment Guide | 1/24/1997 | See Source »

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