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...emigrated to the U.S. Other demanding authors, who possess a greater command of foreign tongues, have decided that self-translation is best. Nabokov, whose early work was written in Russian, rendered Laughter in the Dark into English. He also turned Lolita, which was written in English, into Russian. Samuel Beckett, an Irishman who writes mostly in French, has translated his plays, Waiting for Godot, Endgame and others, into his native English...

Author: /time Magazine | Title: Books: Couriers of the Human Spirit | 11/19/1984 | See Source »

WHEN SAMUEL BECKETT jolted the theatrical world several decades ago with Waiting for Godot, he unleashed a whole new dimension in existential dramas dealing with death. Instead of being represented by the conventional dagger and funeral scenes to which audiences had become so comfortably accustomed, death became something less frightening, more abstract, and almost comically absurd. Perhaps, Beckett suggested, death was nothing more than a means of alleviating the boredom of an essentially mundane earthly existence. Or alternatively, perhaps it was simply a version of "not being...

Author: By David H. Pollock, | Title: Mid-Life Crisis | 10/30/1984 | See Source »

...scenes, Paris de Nuit, was a sensation; a larger, franker version published in 1976, The Secret Paris of the 30's, was a U.S. bestseller. Brassaï's multiple talents included friendship, and in his volumes of portraits there are reminiscences of Bonnard, Giacometti, Henry Miller, Samuel Beckett and, especially, Picasso...

Author: /time Magazine | Title: Milestones: Jul. 23, 1984 | 7/23/1984 | See Source »

...literary critic George Neveaux wrote, "The entire theatre of an era came out of the womb of that play, Six Characters." Pirandello's revolution in form and content profoundly influenced the works of Sartre, Anouilh, Genet, Camus, Ionesco, Beckett, and many other playwrights. Pirandello's dramaturgy contributed significantly to this new form of theatre--his acceptance of the stage for what it was, his knowledge that it did not need to be a true-to-life copy of the real thing. He saw the stage as a place of magic and illusion...

Author: By Ted Osius, | Title: Double Vision | 5/25/1984 | See Source »

DIED. Alan Schneider, 66, consummate stage director best known for his productions of plays by Samuel Beckett, Edward Albee and Harold Pinter; of brain injuries received when he was hit by a motorcycle; in London. Schneider was noted for his exacting fidelity to even the most complex script, as he worked to transmit the inner truth of a play rather than impose on it any other vision. He crusaded particularly for Beckett, and his productions of Waiting for Godot, Endgame and Krapp's Last Tape, among others, profoundly influenced the course of modern theater. Also closely associated with Albee...

Author: /time Magazine | Title: Milestones: May 14, 1984 | 5/14/1984 | See Source »

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