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...groups are Cream and the self-proclaimed "Super Sessions" group with Bloomfield and Kooper. This nucleus of Blues groups (including the Yardbirds) are in some way responsible for the development of most of the contemporary popular groups, including Blood, Sweat and Tears (Kooper), defunct Electric Flag (Bloomfield), the Jeff Beck Group (Yardbirds), Led Zepplin (Jimmy Page of the Yardbirds) and Fleetwood Mac (Peter Green of the Bluesbreakers...

Author: By James C. Gutman, | Title: B.B. King Is King of the Blues--Black Music That Whites Now Dig | 2/27/1969 | See Source »

...Birdie, of course, was a Broadway musical--a satire on the Elvis Presley craze that had opened at New York's Martin Beck Theatre in April...

Author: By Frank Rich, | Title: If Conrad Birdie Came Back to Broadway, Would He Have to Drop Some Acid First? | 2/27/1969 | See Source »

Still, apart from the analysis, a new Greenwich Village apartment and a pool table, he remains a champion of inconspicuous consumption. The night of the Academy awards, Hoffman?nominated for The Graduate?called a friend, Actor Stanley Beck. "It was about 1 o'clock in the morning," says Beck. "The phone rang. It was Dusty. 'Hey, can you pick me up?' he says. There he is, out at the Academy awards the night he's been nominated for an Oscar, and he has no car, no driver, no place to sleep. I told him to take...

Author: /time Magazine | Title: Cinema: The Moonchild and the Fifth Beatle | 2/7/1969 | See Source »

...strong and uncluttered and incredibly well-felt blues-bass throughout. This kind of restrained and delicate watered-down imitation of the Chicago sound is a valid method of interpreting the blues classics and of creating new blues material. It is the other side of the, equally legitimate, Clapton-Beck style of English blues which produces radical guitar-oriented re-interpretations of the old material...

Author: By Salahuddin I. Imam, | Title: The Miami Pop Festival: Silver Linings Galore in the Faint Cloud Over Rock | 1/22/1969 | See Source »

...Sirhan Sirhan to Cain. Ideas wander idly in and out of the action. At all point's the company stretches its physical resources to the limit, and proves itself an unusually well-coordinated lot. Although The Open Theatre doesn't go in for the acrobatics encouraged by Julian Beck and his crowd, these performers seem every bit as able as their Living Theatre counterparts. And The Serpent, truth to tell, is a good deal more involving than anything on the current Living Theatre repertory...

Author: By James Lardner, | Title: The Open Theatre...and the Closed | 1/13/1969 | See Source »

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