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...German Expressionists, notably Beckmann, command far greater attention here than has been shown them in such collections in the past. Only the arrangement of a large German exhibition in New York prohibited the further expansion of this group...

Author: By Paul W. Schwartz, | Title: Modern Masters | 10/16/1957 | See Source »

...major new figure to arise between the two wars was Max Beckmann, who by endlessly propounding the question "Who am I?" arrived at emblematic pictorial symbols that crowded his canvases to the bursting point, but recovered much of Germany's lost humanism. The most intense group of artists was at the Bauhaus, where the new center of architecture, with its goal of "art and technology -a new synthesis," attracted U.S. Painter Lyonel Feininger, Josef Albers, Oskar Schlemmer and Klee. There Kandinsky combined abstract geometric forms with color in Composition VIII to arrive at a new and colder art that...

Author: /time Magazine | Title: Art: OUT OF THE RUINS | 10/7/1957 | See Source »

This provides formidable competition. Next to Rouault, Max Beckmann's strength, coherent though it is in both still life and portrait, becomes an inflexible and dry stiffness. Bradley Walker Tomlin's vivid pattern of color dabs appears insubstantial and weak. Even Miro's usual verve and wit fail to bring his Lasso to satisfying completeness. Yet, such free-swinging abstractions as Toti Scialoja's or Richard Diebenkorn's, have far less to say. Their absence of representational basis is perfectly acceptable but their lack of aesthetic articulation...

Author: By Paul W. Schwartz, | Title: The Pulitzer Collection | 5/25/1957 | See Source »

...Ingres and Van Gogh drawing, a Cézanne oil and a few other late igth century works, the collection consists entirely of contemporary art, ranging from Afro to Vuillard, and including Picasso, Rouault. Matisse, Klee, Braque, MirÓ, Villon, Bonnard, Tamayo. Elvira and another early buy, Max Beckmann's Zeretelli (opposite), are typical of the individual pictorial styles and expressiveness that caught Pulitzer's eye. One of the best painters to come out of Germany in this century, Beckmann did this perceptive portrait of the ballet dancer-prince in 1927 as part of his constant effort...

Author: /time Magazine | Title: Art: COLLETOR'S CHOICE | 4/15/1957 | See Source »

...title of the exhibit is "War and Aftermath: German Art in Relation to the First World War." Cooperating museums and individuals have contributed more than 50 items. Among the artists represented are Grosz, Dix, Beckmann, Rohlfs, and Klee...

Author: NO WRITER ATTRIBUTED | Title: German Art Works At Busch-Reisinger | 3/11/1957 | See Source »

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