Word: bedford
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Dates: during 1960-1969
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Coward was the first laureate of the beautiful brittle people. Amanda (Tammy Grimes) and Elyot (Brian Bedford) had been married (tempestuously), then divorced (bitterly), and meet again with new spouses on a terrace (naturally) in the South of France. The old magic still works potently, and they "elope" together-self-acclaimed wicked imps of sin and guilt. Their shunned and stunned mates (Suzanne Grossmann and David Glover) discover that they are truly meant for each other and not for Elyot and Amanda...
Stage Originals. Coward's characters are frequently mistaken for caricatures. Caricature goes to reality for a model, but Coward's people exist outside reality. They are stage originals. In this sense, the casting of Private Lives is just about perfect. Brian Bedford seems like a man who would be naked without his cigarette case, whose cigarettes, in fact, appear to be smoking him, as if he were an afterthought of his own props. Tammy Grimes seems not born of woman, but rather like a creature conjured up at a séance by some zany medium. She delivers...
Harvard's JV ??? team ??unered its first defent of the season yesterday afternoon losing to the Southes?tern Massa? ???? University versity 2-1 in new Bedford. After th??? scpre???ss quarters Souteastern ta??d twoce in the ???period the? h???d off a late Harvard ?h?re? to ?all out the victory...
Southeastern shattered the JV? four year unbeaten string in the first meeting of the two teams last season. This victory virtually assures the New Bedford booters of a berth in the NAIA national tourney for janior college members of the NCAA...
...young baron Tusenbach, the lieutenant who wins Irina's hand only to be shot in a duel, Brain Bedford performs with great skill--to the extent to actually playing on the piano the middle section of Chopin's Fantaisie-Impromptu. His glasses, moustache, and long hair parted squarely in the center help make him properly homely. There is an extraordinary amount of traffic in this play--entrances and exists, greeting and farewells. One of the most moving farewells in all drama is the parting of Irina and Tusenbach in Act IV--a fine example of Chekhov's oblique method...