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PHILADELPHIA, HERE I COME! When a man buries his past, he rarely faces the grave dry-eyed. But Brian Friel applies the saving sponge of humor to the Irish sentiment pouring from his play, and Dubliners Donal Donnelly and Patrick Bedford, as twin images of the hero, stir up a fine farrago of laughter and tears...

Author: /time Magazine | Title: Television, Theater, Records, Cinema, Books: Mar. 18, 1966 | 3/18/1966 | See Source »

PHILADELPHIA, HERE I COME! is an honest and lyrical, sentimental and humorous account of a young Irishman's preparations to leave his homeland for America. A uniformly excellent cast is headed by Dubliners Donal Donnelly and Patrick Bedford, who play the hero's inner and outer selves...

Author: /time Magazine | Title: Television: Mar. 11, 1966 | 3/11/1966 | See Source »

PHILADELPHIA, HERE I COME! is an honest and lyrical, sentimental and humorous account of a young Irishman's preparations to leave his homeland for America. A uniformly excellent cast is headed by Dubliners Donal Donnelly and Patrick Bedford, who play the hero's inner and outer selves...

Author: /time Magazine | Title: Television: Mar. 4, 1966 | 3/4/1966 | See Source »

...Winston, the fare with the Watney's ale runs more to "the real English breakfast" (porridge, bacon and eggs), but it is being downed enthusiastically from 8 a.m. opening until 3 a.m., and pub-crawling is becoming all the rage. The Duke and Duchess of Bedford authorized their name and crest for the Bedford Arms, which opens next week; Slavik himself is planning two more pubs, one Cairo style, the other à la Singapore. "They will be much more crazy," he promises gleefully. "I don't want to be reasonable any more...

Author: /time Magazine | Title: Decor: Vive le Pub | 2/25/1966 | See Source »

...sponge of humor. Without O'Casey and Joyce, the play might have existed, but not so good a play. Friel utilizes reverie, flashback, and stream of consciousness, but his cleverest device is to divide Gareth O'Donnell into a public and private self played, respectively, by Patrick Bedford and Donal Donnelly. This palpable alter ego, invisible to the other characters, acts as a jazzy Greek chorus, a human pep pill, and a court jester. He laughs when the hero cries and cries when the hero laughs-an alert, ironic, ever-present border guard to keep self-pity from...

Author: /time Magazine | Title: Theater: Goodbye to Ballybeg | 2/25/1966 | See Source »

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