Word: bedrock
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Dates: during 1930-1939
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...switch and the dome began to turn, Einstein with it. The physicist did not realize that he was moving. Like most visitors subjected to the same experience, it seemed to him that he was stationary, that the whole central well of the observatory (solidly anchored through concrete pillars to bedrock) was turning in the opposite direction. The observatory's able, wry director, Walter Sydney Adams, explained that it was an illusion. "You know," he said. "Relativity...
...what had happened rolled off the cars. Frozen to their seats with shock and fear, the others held on until it was too late. Faster, faster, faster rolled the rake, rocking crazily as it gathered speed. Panic-stricken miners flung themselves over the side. Some were bounced off the bedrock walls, hurled under the wheels of the rear cars as they whizzed past. A few miners grabbed at a heavy, covered power line which ran along the roof of the low shaft and hung on, knees pulled high to clear the rows of seats, until the rake hurtled by into...
Last week Archeologist Gordon Loud, a veteran digger of 37 who now commands the Oriental Institute's Megiddo Expedition, was back in Chicago with news that he had penetrated the site down to bedrock, through 20 culture levels dating back to 3,500 B. C. Beneath the oldest level was a stone age cave containing flint instruments and bones. At the 19th level the excavators found a flagged paving in which drawings of horned animals and men had been cut. At the 18th level was a stone fortification wall 15 feet high and 24 feet wide, which indicated that...
When Broadway heard last summer that two up-&-coming young men were starting a new repertory company, play-goers waited with lively interest but natural distrust to see what Orson Welles, 22, and John Houseman, 35, would do with their Mercury Theatre. One bedrock essential that Welles & Houseman apparently lacked was cash. But after a succession of muffled death-rattles backstage, the Mercury came to its first play's first night. On November 11 it produced Julius Caesar. On November 12 the public was informed that Shakespeare's five-act classic had: 1) been turned into...
...slab on a central support, like a tray on a waiter's fingers. He roofed the building with light copper sheathing, made the centre of gravity low as a ship's. And like a ship, the Imperial was made to float. Instead of sinking deep piers to bedrock, the architect rested his building on hundreds of slender, pointed 8-ft. piles, distributing the weight evenly...