Word: beecham
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...brand name of Providence. An apt choice, since Neill is the most accidental of actors. It was while directing documentaries for the New Zealand National Film Unit that he was asked by director Gillian Armstrong to audition for My Brilliant Career (perhaps she saw something of landed gent Harry Beecham in Neill, whose family founded one of the New Zealand's largest liquor importers). And it was while filming a TV costume drama in Melbourne a few years later that he was phoned by actor James Mason and flown to London to be groomed as a star. "I was never...
...another case of corporate indigestion, Pantry Pride, the supermarket chain that acquired Revlon in November, last week announced that it had sold two Revlon units to Beecham Group, a British conglomerate, for $395 million. The two jettisoned Revlon divisions are Norcliff Thayer, maker of Tums antacids and other over-the-counter medications, and Reheis, a chemicals manufacturer. ENTERTAINMENT Rockin' with Uncle...
...York City, 1928. Sir Thomas Beecham, the prickly British baronet and conductorial autodidact, was making his American debut in a concert with the New York Philharmonic. So was Horowitz. Beecham was apparently not about to let some upstart, unknown Russian steal his thunder, even if the piece was Tchaikovsky's thunderous Piano Concerto No. 1. Horowitz was unable to speak English, but it was clear from the rehearsals that even a translator would be no help. "Beecham thought I was of no importance," the pianist remembers. At the concert, the conductor adopted an even more ponderous tempo than during...
...went. From the opening bars of the finale, Horowitz raced ahead with all the mad passion of a cossack charge. "I played louder, faster and more notes than Tchaikovsky wrote," he later recalled. Beecham tried to rally, but there would be no catching up. "I was doing it my way. He was doing it his way," says Horowitz. "On the first night, Beecham came in second." The pianist finished several bars ahead of the orchestra. The audience erupted in a frenzy. In the New York Times, Music Critic Olin Downes captured the intensity of the moment. "A whirlwind of virtuoso...
...records were our only means of connection with this world that we couldn't experience live. The advantage in those days was that the records we had were conducted by Arturo Toscanini, Wilhelm Furtwangler, Leopold Stokowski and Sir Thomas Beecham. So although the sound was quite primitive, the tempos were right. These were interpretations that I have carried with me ever since. And I must tell you, in those days I thought it was a good sound--until I went to Vienna...