Word: beerbohm
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...writers who can monkey with fantasy without getting just too cute for words. Inimitable Max Beerbohm managed it; some still think Sir James Matthew Barrie, Alan Alexander Milne. Christopher Morley have made surprisingly few errors. Fantasian Bruce Marshall follows a less gossamer authority, Gilbert Keith Chesterton; but in his hands the Chestertonian whimsy loses its robustiousness, gets all buttered up with sticky sentiment. Not that Author Marshall cannot be very sharp on occasion, but, like the latter-day Chesterton, he is sharp only with non-Catholic things...
...Dyson of England who hung more of his brilliantly bitten etchings at the Ferargil Galleries last week. Grey-haired, slender and 48. he was born in Ballarat, Australia, still speaks with a rich bush-twang. He emerged from the War a witty cynic with an artistic manner reminiscent of Beerbohm the Exquisite, but with an even surer command of line. Possibly to make the Beerbohm parallel less marked he adopted etching as his medium two years ago. Like Max, half the effect of his pictures is in the written cap tions that accompany them: A satanic gargoyle looking down...
...serious expression who wandered about Division Headquarters in a shaggy goatskin tunic and trench helmet drawing pictures of Generals. Those who talked with him discovered that he knew an enormous number of famous people. Intellectuals realized that this little man was the Will Rothenstein celebrated in Max Beerbohm's Enoch Soames. When the first volume of his autobiography appeared in the U. S. last month,* readers had a chance to learn something of a man who is still comparatively unknown to the general public, though he has had his paintings hung in dozens of museums from Chicago...
...Wilde, going to the Moulin Rouge with Toulouse-Lautrec, as a young U. S. executive might be at lunching with Sidney Zollicoffer Mitchell or Albert Wiggin. After four years in Paris he was sent to Oxford to do a series of portraits of famed Oxonians. Wrote his friend Max Beerbohm...
...established him as a pencil-portraitist of the first rank, but though he painted nudes, landscapes, Cheapside costers, his lithographer's pencil has always been reserved for the faces of the great and near-great. For a Briton to be the subject of a Rothenstein portrait or a Beerbohm caricature is like membership in the Institut de France to a Frenchman. In 1899 he married Alice Knewstub, a beautiful young lady who played leads opposite Sir Herbert Tree...