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Word: beers (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Holcombe's ideal for the United States was Aristotle's Polity. "He viewed politics as a moral endeavor," Samuel H. Beer, the present Eaton Professor of the Science of Government, said yesterday. "He had a great deal of restrained moral passion...

Author: NO WRITER ATTRIBUTED | Title: Holcombe Dies | 12/14/1977 | See Source »

...England Yankee with a strong affection for Harvard, Holcombe took his Ph.D. in economics here in 1909. He marched at Commencement every year until two years ago. "He was a Republican, but also a progressive New England reformer," Beer said...

Author: NO WRITER ATTRIBUTED | Title: Holcombe Dies | 12/14/1977 | See Source »

Seattle has almost none of the hassles and almost all of the amenities of many bigger American cities. As Post-Intelligencer Columnist Emmett Watson remarks, "The people of Seattle, like every place else, are into punk rock, tofu, lifespring, frozen yogurt, est and diet beer. People here are using words like parenting, ambience, trendy and psycho- babble." They also, quite often, are using words like symphony, museum and pro football...

Author: /time Magazine | Title: The Nation: Those Movers Who Shake Seattle | 12/12/1977 | See Source »

...most popular series back to back. The evening begins with Happy Days, a sitcom about teen-age kids in '50s Milwaukee that is now No. 2 in the Nielsens. Next is TV's highest-rated series: Laverne & Shirley, a Happy Days spin-off about two female beer factory workers who also live in '50s Milwaukee. After that comes Three's Company, No. 3 in the Nielsens, another sitcom about two women roommates-only this time the women share their flat with a single man. The night concludes with Soap, one of this season...

Author: /time Magazine | Title: Television: Tuesday Night on the Tube | 12/12/1977 | See Source »

...subversive force: the epitome of the avantgarde, a one-man realist movement. "I am Courbetist, that's all. My painting is the only true one. I am the first and the unique artist of the century; the others are students or drivelers . . ." Pipe, Assyrian beard, clogs and beer gut: all his life he projected an image of invincible roughness and solidity. In fact, his greatest paintings were rarely the work of a simple realist. For example, The Meeting, 1854, showing Courbet's encounter with his patron Alfred Bruyas and a manservant on the road near Montpellier, was based...

Author: /time Magazine | Title: Art: Courbet: Painting as Politics | 12/5/1977 | See Source »

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