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...daughter Lizzie was acquitted of the crime, legend-in the form of books, plays and even a ballet-has found her guilty. Last week the New York City Opera presented Lizzie again as the strong-willed woman of the legend in a striking new opera by U.S. Composer Jack Beeson...

Author: /time Magazine | Title: Opera: New Music, Old Legend | 4/2/1965 | See Source »

...score is a modern patchwork, ranging from bouncy rural rhythms to streaks of dissonance, used most effectively in underlining Lizzie's mounting anxiety. But for the most part, it is unobtrusive by design. Says Beeson: "The whole focus is on the stage...

Author: /time Magazine | Title: Opera: New Music, Old Legend | 4/2/1965 | See Source »

...Beeson's association with opera began in his boyhood back home in Muncie, Ind., when he tuned in Metropolitan Opera broadcasts on two radios -for the stereophonic effect-then accompanied the Met singers on his piano. Since then, while teaching composition at Columbia University, he has written four operas, several orchestral and chamber works...

Author: /time Magazine | Title: Opera: New Music, Old Legend | 4/2/1965 | See Source »

...STERLING BEESON...

Author: /time Magazine | Title: Letters: Jan. 25, 1963 | 1/25/1963 | See Source »

Robert Hamer's restrained direction and Paul Beeson's camera work are fine. The film's only major fault is the screenplay, written by Hamer from an adaptation by Gore Vidal. It's a pity Vidal wasn't allowed to do the whole job. Hamer's script leaves a number of loose ends and unclear motivations; and the denouement is both trite and inexcusably abrupt. But the picture is worth seeing for its performances...

Author: By Caldwell Titcomb, | Title: Alec Guinness Excels in 'The Scapegoat' | 7/30/1959 | See Source »

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