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Wrinkles & Chins. The bone-dry climate of North Africa, however, has preserved almost perfectly the portraits painted at Faiyum, especially those done on wood panels in encaustic (a mixture of beeswax and pigment, usually applied with a cauterium, or hot spatula). Today, these paintings tell historians most of what is known about portrait technique 1,100 years before the Renaissance. Modeling and shading were expertly done. Except that the anonymous workmen of Faiyum customarily enlarged eyes (large pupils being considered at the time a sign of beauty), classical realism was faithful in portraying hair styles, jewelry, wrinkles and occasionally double...

Author: /time Magazine | Title: Paintings: Myopic Tribute | 4/14/1967 | See Source »

Nellson's list runs for 1,736 pages, from Aden (bone sellers, dates, gums and spices) to Zambia (cement makers, mining companies, clothing manufacturers). The International Yellow Pages also locates beeswax in Angola, molasses in the British West Indies, yacht charterers in Cambodia, industrial real estate agents and vodka vendors in the Soviet Union, lawyers in the Fiji Islands, safari services in Kenya, coconut harvesters in Tanzania. Even Pope Paul's Vatican City telephone number is in the book: Vatican City...

Author: /time Magazine | Title: World Trade: Global Yellow Pages | 9/24/1965 | See Source »

...native city, which lies on the fringes of the Western world, his work flirts with the Far East, draws from such predecessors as Egon Schiele and Gustav Klimt as well as the tendrilous enticements of Jugendstil or art nouveau. He mingles oils and tempera with gold and silver foil, beeswax, and bits of peat moss and sand to make his almost bitter, labyrinthine pastries...

Author: /time Magazine | Title: Painting: The Whirlpool of The Waters | 3/5/1965 | See Source »

ROBERT COOK-Sculpture Center, 167 East 69th. An American who works in Rome, Cook sculpts in beeswax, then casts in bronze. His sinewy sculptures spin in bright, convoluted rhythms. Thirty works. Through April...

Author: /time Magazine | Title: Art: Art in New York: Apr. 10, 1964 | 4/10/1964 | See Source »

...work of his own. Borrowing a technique from the old masters (the general idea is described in The Secret Formulas and Techniques of the Masters, by Jacques Maroger), Safran mixes his own medium. He whips up a potion of raw linseed oil, litharge (lead monoxide) and natural sun-bleached beeswax, and cooks it over a slow fire for two hours, stirring often and being careful that it does not boil. He then stores the product, which is called black oil and looks like axle grease, in old mayonnaise jars. When he is ready to paint, he mixes each pigment...

Author: /time Magazine | Title: A Letter From The Publisher: Nov. 17, 1961 | 11/17/1961 | See Source »

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