Word: beethoven
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Dates: during 1960-1969
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Seth Carlin will present a piano recital at 8:30 tonight in the Kirkland House Junior Common Room. Music of Beethoven, Prokofiev, and Ravel will be featured...
...Elliott Carter's Piano Concerto or Milton Babbitt's Relata II, they cause outbreaks of hysterical recrimination, especially in those citadels of analytical dross, The New York Times and The New Yorker. The modern composer faces an audience whose taste is a brew of remembrance and indigestion, appealing for Beethoven, Tchaikowsky, and Verdi and refusing to acknowledge the existence of post-war music. For most of these people "modern" music consists of The Firebird, La Mer, Bolero, the Rachmaminoff Piano Concertos, and Appalachian Spring...
...taking out a full-page newspaper advertisement the next day celebrating its wondrous beneficence. The Trustees of our orchestras are unconquerably reactionary, hopelessly clinging to the Romantic core of the repertoire. The ungainly orchestral apparat of a tableau vivant of funereal men playing the ten thousandth repetition of Beethoven's Fifth before a benign audience has understandably driven young people to films and plays, where one can speak and move, argue and refine, receive yet enter into self-expression...
...Danish-born Pianist Gunnar Johansen, 63, gets a phone call at the University of Wisconsin, where he has been artist-in-residence since 1939. Boris Sokoloff, manager of the Philadelphia Orchestra, is on the line. Conductor Eugene Ormandy and Pianist Peter Serkin have disagreed on the interpretation of Beethoven's Piano Concerto in D Major, which Serkin was to play with the Philadelphians in Manhattan's Philharmonic Hall the following evening. Could Johansen fill in? Johansen has never even heard the piece, a little-known transcription by Beethoven of his only violin concerto. He dashes next door...
...play on specific orders from the conductor. In front of the podium is a numbered board with a sliding red arrow; the conductor moves the arrow to give the page and holds up one or more fingers to indicate the event he wants played. To Brown, a work like Beethoven's Fifth Symphony is "closed form," meaning that no options to choose materials are given to the conductor. In "open-form" music, every note is precomposed (and rehearsed) and determined, yet the piece at hand can never sound the same way twice. "What I am actually doing when conducting...