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...horn alone; admittedly it is a dirty trick to play on the unfortunate hornist, but it is a common enough practice, and this particular player was not up to it. He also succeeded in spoiling a large part of the orchestral accompaniment to the soprano in the Beethoven aria Primo amore, piacer del ciel. In the second half of the minuet in Haydn's Symphony No. 14, he not only had trouble in playing the correct intervals, but also played sharps where they were not written...

Author: By Hugh B. Gordon, | Title: The Bach Society | 5/5/1965 | See Source »

Little technical errors abounded that night. Aside from the wretched hornist, there was the first clarinetist who appeared to be having trouble getting his instrument to speak in the slow movement of the Beethoven Piano Concerto No. 1, somewhat disrupting the serene beauty of the movement. There were strings who had intonation difficulties occasionally throughout, and rhythm troubles in both Beethoven works. At one point in the aria, the dramatic effect of what was supposed to be a Grand Pause was lost in the scraping of some disoriented violist or 'cellist...

Author: By Hugh B. Gordon, | Title: The Bach Society | 5/5/1965 | See Source »

Finally, Ursula Oppens came and played Beethoven. She played him as he should be played, with the overall lightness that this last of the rococo concerti deserves (for although numbered the First, this is actually the second of Beethoven's piano concerti, and in the last three he had completely transcended the form as Mozart had left it), yet did not slight the brooding moments foretelling what dark depths would be revealed in the composer's later music. In other words, she achieved the difficult synthesis of rococo and romantic that is Beethoven's music...

Author: By Hugh B. Gordon, | Title: The Bach Society | 5/5/1965 | See Source »

...began to have strange illusions," confessed a Chinese bacteriologist in Peking's party newspaper Kuang-ming Jih-pao, "about a world filled with friendly love." Horrors! It wasn't imperialist propaganda he'd been listening to, but the works of Ludwig van Beethoven, newly blacklisted by the Chinese Communists because they "paralyze one's revolutionary fighting will...

Author: /time Magazine | Title: People: Apr. 30, 1965 | 4/30/1965 | See Source »

...from time to time. Lucy has several fuss-budget understudies: Patty, Sally, Violet and Frieda. Pig-Pen is a "human soil bank" who raises a cloud of dust on a perfectly clean street and passes out gumdrops that are invariably black. Mop-haired Schroeder is always banging out Beethoven on the piano or gazing soulfully at a bust of the master ("I picked Beethoven," says Schulz, "because he is sort of pompous and grandiose. I like Brahms better"). Lucy is in love with Schroeder, but he is too busy with Beethoven to care. She gets revenge. She invites Schroeder...

Author: /time Magazine | Title: Comics: Good Grief | 4/9/1965 | See Source »

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