Word: beethoven
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...display his virtuosity on three. But times have changed. Last week, in Manhattan's Carnegie Hall, one of the world's great violinists walked to the center of the stage, took measure of the audience for a long, silent minute, nodded to his accompanist and swept into Beethoven's Sonata in C Minor with all the flamboyance of a stockbroker stepping...
Although he is a masterly performer of Beethoven and Brahms. Stern, 41. is the only topflight violinist who regularly plays the modern masters-Prokofiev, Hindemith, Bartok, Berg. Each performance is a marriage of technique with the temper of the music. "I don't want to be known only as a violinist," Stern once said. "I want to be a player of music-one whose instrument just happens to be the violin." His ambition is snared by his peers...
...romantic of the old school, Oistrakh favors far slower tempos than most modern violinists, often imbues the music of Brahms, Beethoven, Tchaikovsky with the sort of kindling warmth that has reminded many a listener of Oistrakh's early idol, Fritz Kreisler. Whatever he plays-classics or occasional moderns-Oistrakh exudes conviction. "When the difficult parts come," says Violinist Francescatti, "he does not try to go around them. In fact, he shows you how difficult they are. He slows down, and this is the honesty of a great artist...
...when he married and settled down in Manhattan, that he began to build a reputation as something more than an extraordinarily gifted virtuoso. Milstein is still a master of the bravura composers-Max Bruch, Sarasate-but he has found new and interesting things to say about Brahms, Beethoven, Bach. The keynotes of great Milstein performances are their flash and fire. Milstein is willing to take chances-on trip-hammer tempos, flashing colors, amazing fluctuations in volume. His taste as a listener runs to chamber music: symphony concerts, says Violinist Milstein, are "cold excitement, because the man who makes the music...
...Letters of Beethoven, edited by Emily Anderson. The glimpses into the composer's private affairs are fascinating, but frustrating to those who think genius can be rationally explained; on the evidence of the letters taken alone, Beethoven appears to have been little more than a petty, quarrelsome crank...