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...jazz people lean toward Post-Romantic Impressionists for classical inspiration. However, you always go farther back, always making a reference to Bach or Beethoven, where others cite Ravel or Debussy...

Author: By Malik B. Ali, CONTRIBUTING WRITER | Title: Jazz Culture: Marsalis Blows His Own Trumpet | 11/17/2000 | See Source »

...days, you could hear a tremendous amount of jazz on the radio. This was the heyday of the swing era; jazz was the total popular music of the United States...When I first heard [Duke Ellington], I knew right away, and declared that he was just as great as Beethoven. I still stand by that. If you analyze that music, in terms of the quality and the inspiration of the music, you come out equal. I could demonstrate to anyone who cares to see...I immediately, without any question, felt and decided and knew that jazz was in the hands...

Author: By Anthony Cheung, CONTRIBUTING WRITER | Title: 'Of Reminiscences and Reflections': 75 Years of Gunther Schuller | 11/3/2000 | See Source »

...exactly and imaginatively what the composer has written. I don't follow some tradition or recording that some famous conductor did ten years ago. My book, The Complacent Conductor, has been attacked by thousands of conductors. They put their egos first, in a way saying, 'Look, I'm better. Beethoven needs a fermata here,' rather than trusting the score completely. I'm in hot water with thousands of people today because of this...

Author: By Anthony Cheung, CONTRIBUTING WRITER | Title: 'Of Reminiscences and Reflections': 75 Years of Gunther Schuller | 11/3/2000 | See Source »

...arched, hip-winked, sly-smiled thrust of her hands in which each finger had a job and a mind of its own, not so much defying time and gravity as making them seem irrelevant, burnishing the Fosse moves into the classic permanence of a Van Gogh swirl or a Beethoven crescendo. In preserving Fosse's spirit, she preserved her own. She knew that they were both creatures of the living theater, of the lightning that struck but once, inevitably reduced by film and electric furniture. "Watch him move," she'd say of Bob. "He knows the joke." Clearly...

Author: /time Magazine | Title: Eulogy: GWEN VERDON | 10/30/2000 | See Source »

Murray Perahia, the reigning poet of classical piano, first made a name for himself in the '70s with his chaste, sensitive interpretations of Mozart, Beethoven, Schubert, Schumann and Chopin. But Perahia didn't bond with the Baroque genius of Johann Sebastian Bach until an injury to his right thumb forced him off the concert stage for five nerve-racking years. "I needed it spiritually," he explains...

Author: /time Magazine | Title: Fall Preview: A Taste Of Autumn | 9/4/2000 | See Source »

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