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...Conductor Eugene Ormandy was one of the most gloriously distinctive in music. Inheriting a spirited ensemble from his flamboyant predecessor, Leopold Stokowski, Ormandy refined it until the strings turned to silk, the woodwinds to amber, the brass to gold. If Ormandy's interpretations of safe repertory standards such as Beethoven and Brahms symphonies were not always individual, the ravishing tonal beauty of his orchestra was often reward enough. "The Philadelphia sound -- it's me!" Ormandy said proudly, and it was less a boast than a statement of fact...

Author: /time Magazine | Title: Music: A Transformation in Philadelphia | 2/3/1986 | See Source »

...years. "He has given us all new musical life." Music Critic Daniel Webster of the Philadelphia Inquirer agrees. "Ormandy had an idea of how an orchestra should sound, and he made all music sound the same," he says bluntly. "This orchestra could never play Mozart, Haydn or Beethoven under Ormandy. It always sounded like molasses...

Author: /time Magazine | Title: Music: A Transformation in Philadelphia | 2/3/1986 | See Source »

...Haydn's hidin' but Bach is back. Roll over, Beethoven and mosey on, Mozart, (though Handel can handle it) cause Crye is the rage--(Giuseppe Verdi is just Joe Green...

Author: By Andrea Shen, | Title: The Metaphysical Writing on the Wall (and Desks) | 12/17/1985 | See Source »

...Beethoven's Birthday Concert: with Lydian String Quartet members, Kresge Auditorium...

Author: NO WRITER ATTRIBUTED | Title: December 12-18 | 12/12/1985 | See Source »

Lydian String Quartet: performing Beethoven, Slosberg Recital Hall, Brandeis, Waltham...

Author: NO WRITER ATTRIBUTED | Title: December 12-18 | 12/12/1985 | See Source »

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