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...Abduction from the Seraglio. The role is not a one-shot stop from the stalag for Klemperer. The son of famed Conductor Otto Klemperer, he has also narrated Schoenberg's Gurre-Lieder with the Boston Symphony Orchestra; next spring he will do the narration of Beethoven's Egmont with the New York Philharmonic. Klemperer remains fond of Klink. Those residuals still trickle in, after all, and then there is the renown. "Everyone at the Met is a Hogan's Heroes fan," he insists. "When I arrive for rehearsal, they say, 'Good morning, Colonel...

Author: /time Magazine | Title: People, Oct. 15, 1979 | 10/15/1979 | See Source »

...Just before he arrived at NBC the network made an admirably Salantesque gesture: it abolished the bouncy Henry Mancini theme that introduced Chancellor-Brinkley, substituting a newsy sounding melange of electronic music. The new theme is properly unobtrusive, though not nearly so classy as that grand old snippet of Beethoven's Ninth used in the 1960s. Earlier this month he warned his colleagues...

Author: /time Magazine | Title: NEWSWATCH by Thomas Griffith: Telling the News vs. Zapping the Cornea | 10/1/1979 | See Source »

...princes and princesses joined commoners and old comrades from World War II in bidding farewell to the sailor-statesman. A dazzling September sun glinted off swords and breastplates and sharpened the bold colors of the regimental standards dipped in salute. To muffled drums and the somber measures of a Beethoven funeral dirge, the cortege began its slow march through the streets of London. Hundreds of thousands of Britons lined the funeral route; many had slept on the pavement all night to be sure of a view of the procession, which stretched for nearly a mile...

Author: /time Magazine | Title: BRITAIN: Farewell to a National Hero | 9/17/1979 | See Source »

...just sometimes comes. It's a synesthetic reaction." His preferences in music are in line with his predilections as a photographer: a preference for large structures, commanding themes and plenty of orchestral color. "I've always liked heroic music. I can't stand Debussy and Ravel. I like Beethoven, Bach, Chopin, Scriabin?anything architectural and big has much more appeal...

Author: /time Magazine | Title: Master of the Yosemite | 9/3/1979 | See Source »

What's your pleasure? A "steel pianist" who plays Beethoven's Für Elise on the cut-off top of a 55-gal. oil drum? Step right up. A conga drummer with a silver earring in one nostril and a red gem in the other, or a classical guitarist in top hat, tails and tennis shoes? Right this way. String quartets, punk rockers, brass quintets, bagpipers, country crooners, dixieland stompers, ad hoc duos of every string, woodwind and percussive persuasion? Just around the corner...

Author: /time Magazine | Title: Music: The Bands of Summer | 8/27/1979 | See Source »

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