Word: beethovens
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...accident; just after giving a slide lecture on Egypt at Rockefeller University in New York City. When he was pianist in residence at the Bayreuth Festival master classes, Hungerford recorded all the piano music of Richard Wagner. More recently he was acclaimed for his powerful, deeply sensitive interpretations of Beethoven, both in concert and on records...
...tone thinner than some but capable of glorious sunbursts of sound. He is no "Watch me go" virtuoso. His debut program, for example, was devoid of the crowd-arousing Romantic potboilers favored by so many of his Soviet predecessors. Instead, he and his piano accompanist, Xenia Knorre, played Beethoven's dreamy, introspective Sonata No. 10 in G, Op. 96. And wonderfully. They also offered an American work not many U.S. artists take the trouble to learn: Charles Ives' frolicsome Sonata No. 4 (Children's Day at the Camp Meeting...
...great literature that brings some people together also builds barriers. Literary classics may nourish chauvinism and create ideologies. Wars tend to reenforce national stereotypes and to harden ideologies. When the U.S. entered World War I, its schools ceased teaching German. Beethoven and Wagner were taboo. Still, at that very moment, American military research teams were studying German technology. Today, while Indira Gandhi restricts American newsmen and American publications, she desperately tries to make the Indian technology more like the American. Technology dilutes and dissolves ideology...
...rhythms and an ingenious succession of tempos. Bruckner's Te Deum has a peculiarly spare, even austere ring; Karajan caught that quality by the simple expedient of exposing all its modal harmonies and laying out its violent cross-rhythms firmly and precisely. Best of all perhaps was the Beethoven Ninth. This was one of those uncommon moments in which the strictest adherence to the letter of the score had a liberating effect. Rarely has the scherzo been taken at such a whirlwind pace; rarely has its tricky beat sounded so clearly...
...about to retire to a hearth. Karajan is a burgeoning one-man empire, pulling in a reported $2 million a year. He is constantly in recording studios; next year his third complete recording of Beethoven's symphonies will be released. Then there are the hours spent in film labs working on prints or video tapes of his concert and operatic productions. When he is not filming operas, he is conducting them at the Salzburg Easter Music Festival...