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...novel itself is divided into four movements corresponding to the parts of Beethoven's Third Symphony, "The Eroica." (Beethoven originally dedicated "The Eroica " to Napoleon, but tore up the dedication after the First Consul of France crowned himself Emperor.) At times the Burgess Bonaparte resembles a cross between Charles de Gaulle and Douglas MacArthur. At times he is an 18th century Mafia capo trying to manage overextended holdings and control his greedy relatives. Burgess seeks to evoke the heaving spirit of the Napoleonic age by rouging (and noiring) the historical facts with catchy dialogue and fantasy. As he points...

Author: /time Magazine | Title: Books: Grand Illusions | 5/27/1974 | See Source »

...Beethoven is supposed to have said when he retracted the dedication of "The Eroica," "Held, nein [Hero...

Author: /time Magazine | Title: Books: Grand Illusions | 5/27/1974 | See Source »

...case, she declares that Beethoven's art is more important than Napoleon's military skill-"an art," she unkindly notes, "highly wasteful of its materials." Napoleon, whose mind or spirit at this point is soaring like the last movement of "The Eroica, "appears to get the message: musical forms may reveal divine essences, while his own kinetic life has been shaped by a gargantuan but finite will, whose only form was eventually a form of selfdelusion. Napoleon Symphony is, in some sense, an entertaining and elaborate joke. What the punch line comes down to is the simple fact...

Author: /time Magazine | Title: Books: Grand Illusions | 5/27/1974 | See Source »

Mark Holland '71, planist, in recital. Works of Bach, Beethoven, Chopin, Rachmaninoff, Liszt. Free. Thursday...

Author: NO WRITER ATTRIBUTED | Title: Classical | 5/16/1974 | See Source »

...VOIGHT performs wonders as Conroy--he is both sensitive and charismatic, full-bodied and full of wit--he doesn't have to carry the film. The 21 non-professional kids (all from the Georgia coast) act up a storm. When Voight's Conroy introduces his class to Brahms and Beethoven, or, in an effort to blow the lard from their brains, punctuates his classroom questions with a bike horn, we are gratified not only by the teacher's love and cleverness, but by the responses of his kids--abashed, suspicious, delighted, and finally openhearted...

Author: By Michael Sragow, | Title: Conrack and Its Critics | 5/15/1974 | See Source »

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