Word: beethovens
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Szigeti, the usual egoistic trappings of the virtuoso life took second place to a kind of earthy piety based on prodigious musical insight and a troth-like pledge between him and the composer. Here are some of his finest concerto recordings-notably the Brahms with Hamilton Harty (1928), the Beethoven with Bruno Walter (1932), the Prokofiev First, Mozart Fourth and the Mendelssohn with Sir Thomas Beecham (1933-35) and, at long last on LP, the Beethoven Violin and Piano Sonatas Nos. 5 and 10 with Artur Schnabel (1948). Though the sound is monaural, it has been restored lovingly and retains...
...some bejeweled busts of the great composers. The first track is called The People, Yes, and turns out to be Chopin's Revolutionary Etude done up in the sex and violence of an 007 film's sound track. Ludwig's Gig is a lush snippet from Beethoven's Pastoral Symphony; Superjoy, an electronically extravagant "lift" of Bach's Jesu, Joy of Man's Desiring; Wild Turkey, a toe-tapping treatment of Mozart's Turkish Rondo, and so on. Of its jazzing-the-classics type, basically an appalling genre, this is better than most...
President Bok announced yesterday that Leonard Bernstein '39. Norton Professor of Poetry has offered members of the Harvard community the chance to see a restricted preview concert of Beethoven's Ninth Symphony at low cost...
...Leipzig Gewandhaus Orchestra. Dictatorial, high-strung and charismatic, Mendelssohn demanded absolute obedience from his players and in the process raised the level of orchestral playing in Leipzig, Germany, and throughout Europe to new highs. He also changed the entire look of German symphonic life by using Mozart and Beethoven as the backbone of the repertory (instead of local celebrities like Anton Eberl and Karl Reissiger). Haydn and Handel were also often in his programs, along with such composers as Schubert, Liszt, Rossini, Schumann. And, of course, Mendelssohn. Moreover der Herr Direktor once and for all dispensed with the practice...
There are those who regard Mendelssohn's music as precious and superficial. It is true that Mendelssohn could not, like Schubert, say "My music is the product of my genius and my misery." He knew no misery, neglect or disappointment, neither the gloom of Beethoven nor the melancholy of Chopin. The Reformation Symphony, for example, is religiosity at its most cloying, and Elijah, tender as its pastoral moments are, simply does not convey the full might of its subject. What Mendelssohn did know about was order, proportion, logic and joy. He was a better orchestrator than either Schumann...