Word: beethovens
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...technique and understanding are unique. The nature of the string quartet inevitably suggests a conversation, and the Juilliard players have an agility and intelligence that pitch and color the tone of each voice to enrich the spirit of the composer. Their Mozart is 18th century parlor talk, Beethoven can sound like stentorian and political argument, Bartok and Schoenberg are full of menacing whispers and terrified screams...
...Beethoven: Christ on the Mount of Olives (Jan Peerce, Maria Stader and Otto Wiener, soloists; the Vienna Academy Chorus and State Opera Orchestra conducted by Hermann Scherchen; Westminster). Put a few dozen voices anywhere under a choral director and they're apt to belt out the rousing final chorus of this oratorio; but its starkly eloquent arias are seldom heard. Singing Beethoven's Jesus, Tenor Peerce builds to a marvelous anguish, which unfortunately tends to increase when he is coping with high notes...
...opening-week debut both bold and orthodox by performing a clutch of Mozart concertos and divertimenti never before played at Tanglewood. Says Leinsdorf: "There is nothing wrong in playing Kismet or Rosemarie for a while, but when it becomes a MUST, a forced alternative to digging into the late Beethoven quartets, then we have a big problem...
...premises. Pianist Rudolf Serkin, who has also been playing at Tanglewood this season, is artistic director of the chamber music workshop. Pablo Casals is conducting master classes on the Bach Unaccompanied Cello Suites and Gamba Sonatas and public performances of Mendelssohn's Fourth Symphony (the "Italian" Symphony) and Beethoven's Eighth Symphony...
...repertory of 1,200 numbers goes from spirituals to Bach, Beethoven and Mendelssohn. Backed up by the 10,000-pipe tabernacle organ, with Veteran Organists Alexander Schreiner or Frank Asper, the choir, nicknamed "the singing Saints," has a weight and body unexcelled in choral sound. But "we have not let this become a canned thing," says Director Condie, and he often explores more dissonant modern music. Still, his favorite is a hymn written by one who went with Brigham Young's wagon train, William Clayton, while the prairie winds blew about...