Word: beethovens
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...then as a contributor to National Lampoon magazine, where his "Vacation '58" humor piece led him into movies, he learned to deliver work that was fast and good and never slowed the pace. If his name didn't appear on recent films, that's because he wrote the Beethoven movies, Maid in Manhattan and last year's Drillbit Taylor under the pseudonym Edmond Dantes (taken from The Count of Monte Cristo). In his prime he was known for writing 74 script pages in a night and rarely taking more than five days to complete a first draft. (Read...
...memory bank is full. Certainly, the first time I heard the Shostakovich violin concerto with [Russian violinist] David Oistrakh at its premiere in 1956 at Carnegie Hall. It was an amazing sound. A high point for me was doing the Freedom Concert in East Berlin, when we did Beethoven's Ninth Symphony on Christmas morning in 1989. The wall was coming down, and Leonard Bernstein changed the German text in the Ode to Joy from "joy" to "freedom." It was a very moving experience. You heard hammers and pickaxes from the concert hall...
...their profile. When times are bad, it's crucial to make yourself interesting and vital and to let everybody know you're there. "Organizations that are cutting performances and marketing are going to be the losers," he warns. He also cautions them against reaching for the most familiar programming--Beethoven's Fifth! The Nutcracker! Grease!--in the hope of drawing guaranteed crowds. "I talked to an opera company recently that has done some adventurous programming," he says. "But this season they were just doing things like La Bohčme. It wasn't selling at all, and I'm not surprised...
...Even the Broadway dramas that deal with more contemporary characters and issues seem intellectualized and aloof. In 33 Variations, Jane Fonda (making her first appearance on Broadway in 46 years) plays a musicology professor suffering from Lou Gehrig's disease who tries to solve a musical mystery: why Beethoven, late in his life, became obsessed with writing variations on a minor waltz by a now forgotten contemporary composer. Writer and director Moises Kaufman (The Laramie Project) jumps back and forth in time - we see Beethoven in flashbacks - as the professor races to finish her research before the disease incapacitates...
...finished with jazzy pandemonium, as the dialogue between Lowy and the orchestra surged to a loud, clean conclusion.“Symphonie Fantastique,” the third and final piece on the program, was written in 1830, only three years after the Beethoven’s death. While Beethoven is considered a master of symphonic composition, Berlioz, with the production of “Symphonie Fantastique,” is credited with expanding the genre’s potential. By moving its traditional structure into a freer and more dramatic form he moved classical music further into Romanticism...